WITH MY HORSE - Oil Painting On Canvas By Leonid Afremov
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- Size: 20"x30" (50cm x 75cm)
- Signature: Signed on the front and back
- Certification: Signed COA provided
- Materials: Palette Knife, Oil Paint, Canvas
We would like to present hand painted oil on canvas painting (recreation) of Afremov's artwork mentioned in the title. This art piece made by Leonid Afremov Studio with the same amount of soul and emotion just like the first original painting. The piece is created with oil paint on artistic canvas using Afremov's unique technique of a palette knife. The artwork has a lot of texture, you can feel the strokes by touching this painting. By purchasing on our site, you are buying directly from Leonid Afremov Studio. We guarantee your satisfaction and the best customer experience.
The artwork is signed on the back and on the front. The certificate of authenticity will include the name of the owner who purchased the piece of artwork. The certificate is signed by Leonid Afremov Studio. If you are buying this painting as a gift, please provide us the name of the gift recipient for the certificate. We can also ship to the address of the recipient of your gift.
about this painting:
With my Horse
The red stallion
Enjoy the beautiful paint of With my Horse canvas, in which the artist portrayed the most important animal for man at all times. Indeed, it is difficult to imagine the development of a civilization without horse – it remained the main means of transportation for several centuries, and now we just admire its beauty and grace, arrange various equestrian competitions, which enable riders to show their skills. And in the painting With my Horse, Leonid Afremov just depicted a beautiful, elegantly dressed girl walking with her stallion. Perhaps she is a professional rider, and now leads her sports horse to the stall. But judging by her clothes, you cannot say that she just participated in a sporting event – she is dressed quite elegantly – to match her horse – the color of her costume fits well with the color of the horse. The horse's ocher color is in harmony with the purple and violet hues of her velvet jacket. The horse's tail is like bright flames that are able to set in fire all the canvas. In the hands of the girl, we see a kind of whip. Let's hope that she is not a very strict hostess and does not punish her horse for trifles. On the contrary, we can say with confidence that she is proud of her horse, while the horse – of his mistress. Slightly lowering his head, he obediently follows his hostess, rejoicing that the training is over and a long-awaited treat is waiting for him.
Caballine grace
As always, we have prepared for you a selection of interesting facts about horses. And how could we do otherwise? After all, the horse is one of the most beautiful animals on earth.
- Zoologists called the first horse Eohippus (Horse of the Dawn).
- Horses, which are considered wild today, were domestic originally. For example, mustangs are in fact descendants of the horses that the Spaniards brought to America in 16th century.
- Before domestication, in the Middle and Far East, people hunted horses and sacrificed them to the gods.
We very much hope that this canvas will satisfy not only horse lovers, but all the fans of Leonid Afremov’s art.
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Between ceremony and companionship, With My Horse presents an encounter shaped by mutual regard rather than command. The woman’s slight turn toward the lowered head of the horse gives the scene its emotional center, suggesting attentiveness within a bond that depends on trust. Their closeness feels composed, yet not rigid; dignity belongs to both figures.
The horse’s broad presence makes the woman appear less like an owner than a companion moving alongside a powerful, responsive being. Her richly patterned skirt and deep purple clothing echo the creature’s warm reddish-brown body, binding them through color without making them identical. Against the charged orange atmosphere, their relationship carries the calm concentration of a moment after exertion, when shared effort has become understanding.
There is also a sense of ceremony in the woman’s upright stance, as though this ordinary act of leading a horse briefly opens onto older human dependence on animal strength and grace. The small distance between her hand and the horse’s head holds the work’s tension: guidance is present, but so is listening. What remains most vivid is not mastery, but a partnership held in motion and mutual pride.
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