SILENT BALANCED GESTURE B&W
The official online virtual gallery of Leonid Afremov
Here you can purchase oil on canvas paintings directly
- Size: 60"x48" (150cm x 120cm)
- Signature: Signed on the front and back
- Certification: Signed COA provided
- Materials: Palette Knife, Oil Paint, Canvas
A UNIQUE ONE-OF-A-KIND ORIGINAL OIL PAINTING ON CANVAS - THE BEST POSSIBLE QUALITY HAND-PAINTED ARTWORK BY LEONID AFREMOV GALLERY ARTIST
This is a real 100% UNIQUE Hand-painted ONE-OF-A-KIND ORIGINAL painting by Afremov Gallery (not a print, or recreation artwork)
The painting is signed on the front and the back, this artwork comes with a certificate of authenticity, personally signed by the artist
This painting looks tridimensional and has a lot of heavy textures
SILENT BALANCED GESTURE presents a pair of deer standing close in a misty clearing, backs toward the viewer against a textured black and white backdrop, placing the paired figures clearly in the foreground.
The background is subdued or monochrome, allowing the connection between the subjects to dominate.
Thick palette knife strokes emphasize texture, warmth, and emotional proximity.
Hand Painted by Artist
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In the hush between vigilance and trust, Silent Balanced Gesture B&w considers closeness as a form of shared attention rather than display. Two deer stand together at the edge of a pale clearing, their differing directions suggesting that intimacy need not erase individual awareness. The surrounding darkness gives their companionship a measured gravity, as though the open space behind them belongs briefly to both.
The raised head of the left deer lends the pair a subtle alertness, while the other’s outward gaze keeps the scene from settling into simple tenderness. Their nearness feels less like a posed encounter than a pause in which each remains attentive to what the other cannot see. Against the restrained black, white, and gray atmosphere, silence becomes active - a condition of listening, waiting, and mutual regard.
What gives the work its emotional balance is this tension between shared presence and separate perception. The deer do not face the viewer, so their bond is withheld from easy explanation; it is sensed through distance, posture, and the narrow interval they occupy together. The clearing seems to hold that interval open, allowing companionship to appear not as certainty, but as a quiet agreement to remain near.
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