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STILL SHAPE - Oil Painting On Canvas By Leonid Afremov

modernism, palette knife, oil painting, impasto, textured surface, artwork, expressive, modern, creative, visual art, illustration, bold colors, painterly, contemporary, graphic, conceptual

The official online virtual gallery of Leonid Afremov

Here you can purchase oil on canvas paintings directly

  • Size: 60"x48" (150cm x 120cm)
  • Signature: Signed on the front and back
  • Certification: Signed COA provided
  • Materials: Palette Knife, Oil Paint, Canvas
Today price: $599.00 Regular price: $1,198.00
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A UNIQUE ONE-OF-A-KIND ORIGINAL OIL PAINTING ON CANVAS - THE BEST POSSIBLE QUALITY HAND-PAINTED ARTWORK BY LEONID AFREMOV GALLERY ARTIST

This is a real 100% UNIQUE Hand-painted ONE-OF-A-KIND ORIGINAL painting by Afremov Gallery (not a print, or recreation artwork)

The painting is signed on the front and the back, this artwork comes with a certificate of authenticity, personally signed by the artist

This painting looks tridimensional and has a lot of heavy textures

STILL SHAPE presents a visual interpretation of modernism.

Simplified shapes and texture keep the scene expressive and balanced.

Hand Painted by Artist Hand Painted by Artist
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Within its compact field, Still Shape proposes geometry as a way of negotiating uncertainty, where order remains lively rather than fixed. The clustered forms seem to test how much structure can hold before it becomes invention. Their vivid shifts between weight and openness give the composition an alert, almost improvisational character.

The large yellow-orange form at the lower center acts less like a foundation than a point of departure. Its angled transition suggests a shape in the midst of becoming, turning stability into movement. Around it, the surrounding blocks gather with the concentration of thoughts that have not yet settled into a single conclusion.

An open orange form in the upper right introduces a more inward register, its dark interior making space feel active rather than empty. This opening keeps the arrangement from becoming merely solid or declarative; it allows absence to participate in the balance, as though the composition depends equally on what is held and what is left unresolved.

Across the overlapping planes, playful energy is tempered by a disciplined sense of proportion. The work does not reduce the world to clean geometry so much as imagine geometry as a language for competing impulses - enclosure and release, stability and surprise, clarity and freedom.

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