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DESIGN #5298

DESIGN #5298

The official online virtual gallery of Leonid Afremov

Here you can purchase oil on canvas paintings directly

  • Size: 20"x20" (50cm x 50cm)
  • Signature: Signed on the front and back
  • Certification: Signed COA provided
  • Materials: Palette Knife, Oil Paint, Canvas
Today price: $139.00 Regular price: $278.00
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We would like to present hand painted oil on canvas painting of Leonid Afremov gallery artist artwork mentioned in the title. This art piece made with the full amount of soul and emotion, inspired by AI image. The piece is created with oil paint on artistic canvas.

The artwork has a lot of texture, you can feel the strokes by touching this painting. By purchasing on our site, you are buying directly from Leonid Afremov Studio. We guarantee your satisfaction and the best customer experience. The artwork is signed on the back and on the front. This painting looks tridimensional and has a lot of heavy textures.

The certificate of authenticity will include the name of the owner who purchased the piece of artwork. The certificate is signed by Leonid Afremov Studio. If you are buying this painting as a gift, please provide us the name of the gift recipient for the certificate. We can also ship to the address of the recipient of your gift.

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Across its crowded field, Design #5298 turns the grid into a charged negotiation between order and interruption. The repeated blocks suggest a system that is constantly being revised, where no section settles into complete isolation. Its structure feels deliberate, yet the irregular divisions keep that order from becoming static. What emerges is less a map than a restless arrangement of competing impulses, held together by their insistence on proximity.

The dark seams carry a particular tension. They separate each block, but they also make the composition legible as a single gathering, binding difference into a shared rhythm. A red or yellow passage does not simply announce itself; it presses against neighboring greens and blues, changing their weight by contact. The work can be read as an image of coexistence without harmony - energetic, crowded, and unwilling to smooth over its disagreements.

At the edges, the grid refuses to open into a surrounding scene, leaving the eye within its continuous field. Bright cyan and deep blue bring a cooler interval to the hotter reds and oranges, while occasional white passages interrupt the density like brief clearings. These shifts do not resolve the composition. Instead, they keep attention moving between the pleasure of pattern and the unease of a world assembled from fragments that never quite become uniform.

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