DESIGN #5004
The official online virtual gallery of Leonid Afremov
Here you can purchase oil on canvas paintings directly
- Size: 20"x20" (50cm x 50cm)
- Signature: Signed on the front and back
- Certification: Signed COA provided
- Materials: Palette Knife, Oil Paint, Canvas
We would like to present hand painted oil on canvas painting of Leonid Afremov gallery artist artwork mentioned in the title. This art piece made with the full amount of soul and emotion, inspired by AI image. The piece is created with oil paint on artistic canvas.
The artwork has a lot of texture, you can feel the strokes by touching this painting. By purchasing on our site, you are buying directly from Leonid Afremov Studio. We guarantee your satisfaction and the best customer experience. The artwork is signed on the back and on the front. This painting looks tridimensional and has a lot of heavy textures.
The certificate of authenticity will include the name of the owner who purchased the piece of artwork. The certificate is signed by Leonid Afremov Studio. If you are buying this painting as a gift, please provide us the name of the gift recipient for the certificate. We can also ship to the address of the recipient of your gift.
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Across its pale opening and densely gathered lower ground, Design #5004 considers the meeting of exposure and belonging. The white deer stands within this threshold rather than ruling it, its antlers extending into a space that feels spacious but not entirely untroubled. The work holds stillness as a form of attention, asking us to remain with what cannot be easily named.
The deer’s leftward orientation lends the scene a subtle sense of departure, though there is no fixed destination to complete the thought. It may be read as a figure moving through memory, or as a presence that has paused long enough to become part of the surrounding terrain. Its simplicity gives the layered landscape a human scale without turning it into a narrative.
Below, the dark horizontal passages gather weight and complexity, like accumulated seasons or thoughts that have settled into strata. Above them, a warm blush sweep opens the composition and prevents the lower depths from becoming closed or severe. This tension between heaviness and release gives the work its contemplative rhythm.
What remains most compelling is the deer’s fragile clarity against a world that seems to be continually changing around it. The contrast does not resolve into safety or threat; instead, it preserves a suspended moment in which solitude feels attentive, grounded, and quietly alert.
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