DESIGN #1973
The official online virtual gallery of Leonid Afremov
Here you can purchase oil on canvas paintings directly
- Size: 20"x20" (50cm x 50cm)
- Signature: Signed on the front and back
- Certification: Signed COA provided
- Materials: Palette Knife, Oil Paint, Canvas
We would like to present hand painted oil on canvas painting of Leonid Afremov gallery artist artwork mentioned in the title. This art piece made with the full amount of soul and emotion, inspired by AI image. The piece is created with oil paint on artistic canvas.
The artwork has a lot of texture, you can feel the strokes by touching this painting. By purchasing on our site, you are buying directly from Leonid Afremov Studio. We guarantee your satisfaction and the best customer experience. The artwork is signed on the back and on the front. This painting looks tridimensional and has a lot of heavy textures.
The certificate of authenticity will include the name of the owner who purchased the piece of artwork. The certificate is signed by Leonid Afremov Studio. If you are buying this painting as a gift, please provide us the name of the gift recipient for the certificate. We can also ship to the address of the recipient of your gift.
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A gathering held between bloom and disappearance, Design #1973 treats the bouquet as an atmosphere rather than a fixed arrangement. Pale circular forms press gently against one another, creating the sense of a shared presence that is already beginning to loosen. The work’s delicacy carries a quiet tension: abundance appears here not as permanence, but as something briefly sustained.
Warm ochre and brown centers interrupt the cool pale field with small signs of inwardness. They keep the clustered forms from becoming anonymous, suggesting individual moments within a larger, almost weightless accord. Blue-gray separations deepen this feeling of closeness without complete definition, as though each form were known through its surrounding air.
Beneath the central gathering, elongated downward traces draw the eye away from fullness and toward release. They may evoke stems, rain, or the lingering evidence of movement, but the image does not settle into a single explanation. Their descent gives the bouquet a temporal quality, as if what is gathered above continues to change even while it remains suspended.
At the edges, the arrangement becomes less certain and more atmospheric, allowing the pale background to enter the reading. This openness keeps the work from becoming merely floral; it becomes an image of fragile cohesion, where tenderness depends on proximity and where separation is already part of the form.
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