SILENT PATTERN 2 - Oil Painting On Canvas By Leonid Afremov
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- Size: 30"x24" (75cm x 60cm)
- Signature: Signed on the front and back
- Certification: Signed COA provided
- Materials: Palette Knife, Oil Paint, Canvas
A UNIQUE ONE-OF-A-KIND ORIGINAL OIL PAINTING ON CANVAS - THE BEST POSSIBLE QUALITY HAND-PAINTED ARTWORK BY LEONID AFREMOV GALLERY ARTIST
This is a real 100% UNIQUE Hand-painted ONE-OF-A-KIND ORIGINAL painting by Afremov Gallery (not a print, or recreation artwork)
The painting is signed on the front and the back, this artwork comes with a certificate of authenticity, personally signed by the artist
This painting looks tridimensional and has a lot of heavy textures
SILENT PATTERN explores an arrangement of bold angular geometric shapes, fading into broken color patches, etched with contrasting tones through layered palette knife textures and sculptural strokes.
Bold impasto ridges catch shifting light, while scraped passages reveal underlying hues and tonal variation.
The composition invites close viewing, highlighting movement, contrast, and expressive material presence.
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Against a field of shifting architectural tensions, Silent Pattern 2 considers how order can remain unsettled even when every form appears deliberately aligned. The central blocks feel less like objects than temporary anchors within a larger system, holding their positions while surrounding planes press inward and redirect the eye. Their opposing depths suggest a structure caught between stability and movement.
A strong diagonal of pale light enters from above, giving the arrangement a momentary sense of exposure. Around it, deep blues, burgundy, orange, and charcoal create zones of withdrawal and insistence, as though different kinds of certainty were occupying the same space. The angular pattern becomes contemplative not because it is calm, but because it refuses an immediate resolution.
The forward orange form carries a particular presence, set against the darker block behind it, yet neither appears fully dominant. Their relationship allows the work to hover between construction and collapse, where each plane seems to depend on another while retaining its own gravity. What emerges is an abstract meditation on pressure, balance, and the uneasy beauty of structures still finding their shape.
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