RUNNING THE MARATHON - Oil Painting On Canvas By Leonid Afremov
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- Size: 20"x20" (50cm x 50cm)
- Signature: Signed on the front and back
- Certification: Signed COA provided
- Materials: Palette Knife, Oil Paint, Canvas
We would like to present hand painted oil on canvas painting of Leonid Afremov gallery artist artwork mentioned in the title. This art piece made by Leonid Afremov Studio with the full amount of soul and emotion. The piece is created with oil paint on artistic canvas. The artwork has a lot of texture, you can feel the strokes by touching this painting. By purchasing on our site, you are buying directly from Leonid Afremov Studio. We guarantee your satisfaction and the best customer experience. The artwork is signed on the back and on the front. This painting looks tridimensional and has a lot of heavy textures, inspired by AI image. The certificate of authenticity will include the name of the owner who purchased the piece of artwork. The certificate is signed by Leonid Afremov Studio. If you are buying this painting as a gift, please provide us the name of the gift recipient for the certificate. We can also ship to the address of the recipient of your gift.
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The figure's forward drive gives Running the Marathon its subject a study in willpower, momentum, and self-command. She does not appear to be arriving anywhere recognizable; instead, the work suspends her within an atmosphere where movement becomes its own destination. Her lifted posture suggests effort, yet the surrounding intensity turns that effort into something larger than endurance alone - a refusal to remain still.
The right-facing profile introduces a sense of decision. Her attention seems directed beyond the visible field, toward a point that remains deliberately withheld. This absence keeps the image from becoming a literal account of a race and allows the runner to stand for a private commitment, the kind sustained even when its purpose cannot be explained to anyone else.
Her hair streaming behind her gives the composition a strong backward pull, as though the past still exerts pressure while she continues forward. The tension is not resolved. It makes progress feel less like escape than an active negotiation with everything that tries to follow.
The vivid bands crossing her clothing lend her presence a charged, almost rhythmic identity, while the darker passages around her preserve a sense of resistance. Together, these opposing energies make the work feel immediate and inward at once - a portrait of resolve measured not by a finish line, but by the decision to keep moving through uncertainty.
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