PARISIAN STROLL - Oil Painting On Canvas By Leonid Afremov
The official online virtual gallery of Leonid Afremov
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- Size: 40"x24" (100cm x 60cm)
- Signature: Signed on the front and back
- Certification: Signed COA provided
- Materials: Palette Knife, Oil Paint, Canvas
We would like to present hand painted oil on canvas painting of Leonid Afremov gallery artist artwork mentioned in the title. This art piece made with the full amount of soul and emotion, inspired by AI image. The piece is created with oil paint on artistic canvas.
The artwork has a lot of texture, you can feel the strokes by touching this painting. By purchasing on our site, you are buying directly from Leonid Afremov Studio. We guarantee your satisfaction and the best customer experience. The artwork is signed on the back and on the front. This painting looks tridimensional and has a lot of heavy textures.
The certificate of authenticity will include the name of the owner who purchased the piece of artwork. The certificate is signed by Leonid Afremov Studio. If you are buying this painting as a gift, please provide us the name of the gift recipient for the certificate. We can also ship to the address of the recipient of your gift.
Between familiar streets and distant arrival, Parisian Stroll turns a city passage into a meditation on movement, recognition, and pause. The boulevard seems to hold several tempos at once: pedestrians continue forward, café tables invite lingering, and the slender tower offers a fixed point beyond the immediate bustle. What matters here is less a destination than the feeling of being briefly oriented within a place that keeps unfolding.
Warm façades and red awnings give the right side a sense of welcome, yet the avenue does not settle into simple comfort. The wet pavement carries the surrounding lights downward, making the street feel doubled - present in its everyday activity and suspended in recollection. That reflection lends the scene an atmosphere of return, as though the city has been encountered before but never quite in the same way.
The tower’s narrow rise gathers the broad view without dominating it. Around it, trees, lamps, balconies, and passing figures create a rhythm of interruptions, suggesting how urban memory is formed through partial glimpses rather than complete stories. The cooler distance keeps the scene open, leaving room for the eye to travel beyond what the boulevard immediately offers.
At the café, the public street becomes briefly intimate. Umbrellas and small figures suggest companionship without defining it, while the open avenue preserves the possibility of solitude. This balance gives the work its particular warmth: it imagines city life not as spectacle, but as a shared interval in which strangers move through the same weather, light, and changing hour.
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