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PAIRED FORM

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The official online virtual gallery of Leonid Afremov

Here you can purchase oil on canvas paintings directly

  • Size: 30"x24" (75cm x 60cm)
  • Signature: Signed on the front and back
  • Certification: Signed COA provided
  • Materials: Palette Knife, Oil Paint, Canvas
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A UNIQUE ONE-OF-A-KIND ORIGINAL OIL PAINTING ON CANVAS - THE BEST POSSIBLE QUALITY HAND-PAINTED ARTWORK BY LEONID AFREMOV GALLERY ARTIST

This is a real 100% UNIQUE Hand-painted ONE-OF-A-KIND ORIGINAL painting by Afremov Gallery (not a print, or recreation artwork)

The painting is signed on the front and the back, this artwork comes with a certificate of authenticity, personally signed by the artist

This painting looks tridimensional and has a lot of heavy textures

PAIRED FORM presents two horses standing close in a field, bodies touching, heads turned away against a pale neutral background, placing the paired figures clearly in the foreground.

The background is subdued or monochrome, allowing the connection between the subjects to dominate.

Thick palette knife strokes emphasize texture, warmth, and emotional proximity.

Hand Painted by Artist Hand Painted by Artist
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Three horses gather within a narrow field of attention, and Paired Form turns their closeness into a study of mutual presence rather than display. Their bodies meet while their heads angle apart, creating a gentle tension between companionship and separate inwardness. The subdued surroundings leave this relationship unchallenged, as if the surrounding world has briefly receded.

The central figure’s orientation gives the grouping a subtle rhythm: attention moves inward, then slips away again. This refusal of perfect symmetry keeps the scene from becoming sentimental. Contact remains visible, but so does the quiet independence of each animal, suggesting that nearness can hold difference without resolving it.

Along the lower edge, the grasses provide a modest sense of ground beneath this suspended moment. Soft light settles across the horses without dramatizing them, allowing warmth and reserve to coexist. The work’s calm is therefore not emptiness, but a composed interval in which shared presence feels sufficient.

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