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OPEN SYMBOL - Oil Painting On Canvas By Leonid Afremov

man, ray, palette knife, oil painting, impasto, textured surface, modern art, symbolic, expressive, visual art, creative, painterly, bold colors, contemporary, conceptual, illustrative, abstract

The official online virtual gallery of Leonid Afremov

Here you can purchase oil on canvas paintings directly

  • Size: 60"x48" (150cm x 120cm)
  • Signature: Signed on the front and back
  • Certification: Signed COA provided
  • Materials: Palette Knife, Oil Paint, Canvas
Today price: $599.00 Regular price: $1,198.00
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A UNIQUE ONE-OF-A-KIND ORIGINAL OIL PAINTING ON CANVAS - THE BEST POSSIBLE QUALITY HAND-PAINTED ARTWORK BY LEONID AFREMOV GALLERY ARTIST

This is a real 100% UNIQUE Hand-painted ONE-OF-A-KIND ORIGINAL painting by Afremov Gallery (not a print, or recreation artwork)

The painting is signed on the front and the back, this artwork comes with a certificate of authenticity, personally signed by the artist

This painting looks tridimensional and has a lot of heavy textures

OPEN SYMBOL interprets the theme of man ray through expressive imagery.

Bold texture and simplified shapes create a strong visual presence.

Hand Painted by Artist Hand Painted by Artist
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Against a field of charged forms, the work turns perception into an unstable encounter, where recognition keeps slipping into invention. Open Symbol develops this tension through an eye-like oval at the center, not as a fixed emblem but as a place where the act of looking seems to look back. Its surrounding shapes feel gathered from the logic of a still life, yet their scale and arrangement resist ordinary certainty.

The reflective circle within the central form introduces a second level of attention: it may suggest an inward gaze, a lens, or simply the persistence of light within an otherwise invented world. Around it, rounded forms and vessel-like silhouettes hold the balance between object and sign. The reference to Man Ray becomes less a quotation than an atmosphere of visual displacement, where familiar things acquire a strange authority.

A blue passage leading toward the foreground gives the composition a sense of movement, as if thought itself were passing through the scene and carrying its meanings onward. The clustered bottles and jar retain the quiet discipline of observation, while the surrounding blocks unsettle that calm. What remains is a vivid threshold between recognition and dream, held open rather than resolved.

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