OPEN GAZE
The official online virtual gallery of Leonid Afremov
Here you can purchase oil on canvas paintings directly
- Size: 60"x48" (150cm x 120cm)
- Signature: Signed on the front and back
- Certification: Signed COA provided
- Materials: Palette Knife, Oil Paint, Canvas
A UNIQUE ONE-OF-A-KIND ORIGINAL OIL PAINTING ON CANVAS - THE BEST POSSIBLE QUALITY HAND-PAINTED ARTWORK BY LEONID AFREMOV GALLERY ARTIST
This is a real 100% UNIQUE Hand-painted ONE-OF-A-KIND ORIGINAL painting by Afremov Gallery (not a print, or recreation artwork)
The painting is signed on the front and the back, this artwork comes with a certificate of authenticity, personally signed by the artist
This painting looks tridimensional and has a lot of heavy textures
OPEN GAZE presents a hare in a cropped portrait showing expressive animal features.
The animal fills the frame, with with hints of violet flowers and warm light softly surrounding it.
Loose painterly close-up style enhances texture and expressive detail.
Hand Painted by Artist
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100% Premium Canvas
The hare's direct, amber attention makes Open Gaze feel less like a portrait than an encounter held in suspension. Its gaze meets the viewer without hesitation, carrying a curious alertness that is lively rather than wary. The close framing gives this exchange unusual immediacy, as though the surrounding world has briefly fallen away.
That concentration is softened by the flowering growth gathered around the animal. Purple blossoms press in at the edges, while warm light rests across the face and ears, allowing tenderness to exist alongside vigilance. The hare seems fully present, not theatrical, with an openness that remains difficult to define.
The upright ears create a subtle tension in the image, extending beyond the face like instruments of attention. Their varied markings and darkened edges suggest how finely tuned this creature is to what lies beyond the visible moment. Yet the centered expression resists any sense of flight; it holds its ground and continues to look back.
Against the shifting greens and teals behind it, the hare's golden-brown presence becomes a point of recognition. The work leaves room for the viewer to consider whether this closeness reflects trust, curiosity, or simply the animal's unguarded awareness. Its force comes from that uncertainty, preserved in a gaze that neither retreats nor explains itself.
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