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OLD TIMES - Oil Painting On Canvas By Leonid Afremov

OLD TIMES

The official online virtual gallery of Leonid Afremov

Here you can purchase oil on canvas paintings directly

  • Size: 20"x16" (50cm x 40cm)
  • Signature: Signed on the front and back
  • Certification: Signed COA provided
  • Materials: Palette Knife, Oil Paint, Canvas
Today price: $149.00 Regular price: $298.00
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We would like to present hand painted oil on canvas painting of Leonid Afremov gallery artist artwork mentioned in the title. This art piece made by Leonid Afremov Studio with the full amount of soul and emotion. The piece is created with oil paint on artistic canvas. The artwork has a lot of texture, you can feel the strokes by touching this painting. By purchasing on our site, you are buying directly from Leonid Afremov Studio. We guarantee your satisfaction and the best customer experience. The artwork is signed on the back and on the front. This painting looks tridimensional and has a lot of heavy textures, inspired by AI image. The certificate of authenticity will include the name of the owner who purchased the piece of artwork. The certificate is signed by Leonid Afremov Studio. If you are buying this painting as a gift, please provide us the name of the gift recipient for the certificate. We can also ship to the address of the recipient of your gift.

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A remembered passage through rain gives Old Times its emotional direction: the city feels less like a destination than a place briefly revisited in the mind. Warm windows and lamps gather against the cooler evening, suggesting a world still inhabited by routines that have outlasted the moment. Its nostalgia is not sentimental; it carries the faint distance of something familiar becoming unreachable.

The approaching streetcar lends that memory a pulse. Its illuminated windows imply lives moving together without revealing their destinations, while the second car receding along the avenue extends the feeling of continuity beyond the immediate scene. The vehicle seems both present and already passing, holding the work in a tender tension between arrival and departure.

Reflections draw the street into a wavering corridor, where light is repeated and softened beneath the tracks. The dark figures along the sidewalks remain indistinct, allowing the atmosphere to belong neither to a single story nor to an empty city. Bare branches and shadowed façades press gently around the route, making the glowing passage feel like a recollection that the evening has not quite released.

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