OBSIDIAN PATTERN 1 - Oil Painting On Canvas By Leonid Afremov
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- Size: 34"x28" (86cm x 71cm)
- Signature: Signed on the front and back
- Certification: Signed COA provided
- Materials: Palette Knife, Oil Paint, Canvas
A UNIQUE ONE-OF-A-KIND ORIGINAL OIL PAINTING ON CANVAS - THE BEST POSSIBLE QUALITY HAND-PAINTED ARTWORK BY LEONID AFREMOV GALLERY ARTIST
This is a real 100% UNIQUE Hand-painted ONE-OF-A-KIND ORIGINAL painting by Afremov Gallery (not a print, or recreation artwork)
The painting is signed on the front and the back, this artwork comes with a certificate of authenticity, personally signed by the artist
This painting looks tridimensional and has a lot of heavy textures
OBSIDIAN PATTERN explores an arrangement of bold angular geometric shapes, cut by thin bright streaks, shaped by scraped textures through layered palette knife textures and sculptural strokes.
Bold impasto ridges catch shifting light, while scraped passages reveal underlying hues and tonal variation.
The composition invites close viewing, highlighting movement, contrast, and expressive material presence.
Hand Painted by Artist
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The fractured geometry of Obsidian Pattern 1 turns intensity into a kind of visual pressure, as if separate forces were being drawn toward a single point of decision. Dark angular bands establish a severe framework, while sudden passages of yellow, turquoise, pink, and white resist any settled order. The work feels less like a scene than a moment of concentration, where conflict and momentum occupy the same space.
Its central convergence gives the composition a directional charge without resolving it. Each wedge seems to redirect attention, sending the eye outward and then back through the dense meeting of planes. The bright passages do not soften the surrounding darkness; they sharpen it, suggesting energy that has been contained rather than released.
There is a deliberate instability in the balance between structure and rupture. The black and charcoal forms imply architecture, yet the vivid fragments continually unsettle that sense of permanence. Seen as an emotional arrangement, the painting holds urgency in suspension - not as a narrative, but as a sustained encounter with pressure, interruption, and renewed movement.
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