OBSIDIAN MANE 2
The official online virtual gallery of Leonid Afremov
Here you can purchase oil on canvas paintings directly
- Size: 60"x48" (150cm x 120cm)
- Signature: Signed on the front and back
- Certification: Signed COA provided
- Materials: Palette Knife, Oil Paint, Canvas
A UNIQUE ONE-OF-A-KIND ORIGINAL OIL PAINTING ON CANVAS - THE BEST POSSIBLE QUALITY HAND-PAINTED ARTWORK BY LEONID AFREMOV GALLERY ARTIST
This is a real 100% UNIQUE Hand-painted ONE-OF-A-KIND ORIGINAL painting by Afremov Gallery (not a print, or recreation artwork)
The painting is signed on the front and the back, this artwork comes with a certificate of authenticity, personally signed by the artist
This painting looks tridimensional and has a lot of heavy textures
OBSIDIAN MANE explores a powerful wolf figure emerging from textured ground, surrounded by drifting shadows, built from layered pigments through layered palette knife textures and sculptural strokes.
Bold impasto ridges catch shifting light, while scraped passages reveal underlying hues and tonal variation.
The composition invites close viewing, highlighting movement, contrast, and expressive material presence.
Hand Painted by Artist
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A charged sense of watchfulness gathers around Obsidian Mane 2, where a wolf-like figure seems to move through an uncertain border between presence and shadow. Its lowered head and extended body suggest neither pursuit nor retreat, but a concentrated passage forward, as though instinct has become a form of thought. The pale ground intensifies the creature’s dark authority without resolving the space around it.
The mane carries much of the work’s emotional force, spreading backward in a broad, unruly mass while the head remains sharply directed toward the right. This tension between wild abundance and deliberate motion gives the figure an almost mythic gravity, though it remains close enough to the animal world to resist a fixed allegory. Beneath it, blue-gray shadows gather like traces of movement that have not yet settled.
Soft light catches the upper contours and leaves the underside in deeper obscurity, drawing attention to the difference between what the figure reveals and what it withholds. The result is brooding rather than violent, with its mystery rooted in restraint. The animal appears fully embodied, yet its destination remains deliberately beyond the frame of certainty.
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