MOVING STRIDE
The official online virtual gallery of Leonid Afremov
Here you can purchase oil on canvas paintings directly
- Size: 20"x16" (50cm x 40cm)
- Signature: Signed on the front and back
- Certification: Signed COA provided
- Materials: Palette Knife, Oil Paint, Canvas
A UNIQUE ONE-OF-A-KIND ORIGINAL OIL PAINTING ON CANVAS - THE BEST POSSIBLE QUALITY HAND-PAINTED ARTWORK BY LEONID AFREMOV GALLERY ARTIST
This is a real 100% UNIQUE Hand-painted ONE-OF-A-KIND ORIGINAL painting by Afremov Gallery (not a print, or recreation artwork)
The painting is signed on the front and the back, this artwork comes with a certificate of authenticity, personally signed by the artist
This painting looks tridimensional and has a lot of heavy textures
MOVING STRIDE draws from horse aesthetics, focusing on texture, rhythm, and spatial balance rather than literal narrative.
Palette knife strokes build a physical surface where paint thickness and scraping guide the eye across the composition.
The image emphasizes atmosphere and material presence, encouraging slow and reflective viewing.
Forward motion becomes a state of mind in Moving Stride, where the horse’s extended legs hold a moment between measured passage and sudden release. Its lowered head and upright ears give the movement a concentrated purpose, as if momentum depends less on speed than on sustaining direction through uncertainty. The dark figure carries a contained force that feels alert without becoming theatrical.
The horse’s backward-swept mane reinforces this sense of movement continuing beyond the visible frame. Blue-gray and violet accents across the neck and body interrupt the darkness with shifting signs of light, suggesting that strength here is not fixed or uniform. It gathers through changing emphasis, with each turn of the figure opening another register of energy.
Behind it, warm ochre and rust-toned forms create an atmosphere that feels both grounded and unsettled. The lighter band beneath the horse offers a brief measure of balance, while the surrounding blocks seem to register the pressure of its passage rather than describe a particular place. The result is a work about composure in motion - a poised advance carrying its own tension forward.
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