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MIDNIGHT IRIS STORM - Oil Painting On Canvas By Leonid Afremov

dark, eyes, under, turbulent, midnight, sky, tones, palette knife, oil painting, impasto, textured strokes, vivid colors, dramatic light, expressive painting, bold composition, atmospheric depth, fine art

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  • Size: 30"x24" (75cm x 60cm)
  • Signature: Signed on the front and back
  • Certification: Signed COA provided
  • Materials: Palette Knife, Oil Paint, Canvas
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A UNIQUE ONE-OF-A-KIND ORIGINAL OIL PAINTING ON CANVAS - THE BEST POSSIBLE QUALITY HAND-PAINTED ARTWORK BY LEONID AFREMOV GALLERY ARTIST

This is a real 100% UNIQUE Hand-painted ONE-OF-A-KIND ORIGINAL mixed media painting by Afremov Gallery (not a print, or recreation artwork)

The painting is signed on the front and the back, this artwork comes with a certificate of authenticity, personally signed by the artist

This painting looks tridimensional and has a lot of heavy textures

Midnight Iris Storm presents dark eyes under turbulent midnight sky tones in layered palette knife strokes and vivid contrast.

Hand Painted by Artist Hand Painted by Artist
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An unblinking gaze holds the center of Midnight Iris Storm, drawing the viewer into a charged space where attention feels less like observation than exposure. The eye is direct but not easily read; its cool iris, marked by fine golden radiance around the pupil, suggests thought gathering beneath a troubled sky. What appears intimate becomes almost elemental, as though feeling has taken the form of weather.

The surrounding darkness presses close without fully concealing the gaze. Sweeping black lashes and deep blue-violet shadows give the eye a guarded intensity, while the pale lower edge introduces a fragile interval of openness. The work balances the wish to be seen against the instinct to remain unreadable.

Its drama comes from this tension between inwardness and alertness. The central pupil offers no narrative, only a concentrated point of return, while lavender currents and scattered warm accents keep the surrounding darkness from settling into silence. The result feels less like a portrait than a threshold between composure and disturbance.

There is also a strange steadiness here. Even under the storm of surrounding forms, the iris remains lucid, carrying a glint that could suggest memory, warning, or simple persistence. The image leaves those possibilities unresolved, allowing its gaze to follow the viewer long after the first encounter.

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