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MEADOWBOUND FAUN CROSSING - Oil Painting On Canvas By Leonid Afremov

fantasy faun,meadow landscape,daylight oil painting

The official online virtual gallery of Leonid Afremov

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  • Size: 20"x16" (50cm x 40cm)
  • Signature: Signed on the front and back
  • Certification: Signed COA provided
  • Materials: Palette Knife, Oil Paint, Canvas
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A UNIQUE ONE-OF-A-KIND ORIGINAL OIL PAINTING ON CANVAS - THE BEST POSSIBLE QUALITY HAND-PAINTED ARTWORK BY LEONID AFREMOV GALLERY ARTIST

This is a real 100% UNIQUE Hand-painted ONE-OF-A-KIND ORIGINAL painting by Afremov Gallery (not a print, or recreation artwork)

The painting is signed on the front and the back, this artwork comes with a certificate of authenticity, personally signed by the artist

This painting looks tridimensional and has a lot of heavy textures

An open meadow stretches beneath clear daylight as a faun walks calmly through tall grass. Its form blends naturally with the environment, emphasizing connection rather than contrast. Colors are warm and balanced, and brushstrokes remain soft. The mood is gentle and pastoral, capturing quiet movement.

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Under clear daylight, Meadowbound Faun Crossing presents departure as a form of belonging rather than escape. The faun moves through the meadow without disturbing its calm, its figure woven into the tall grasses and flowering growth. This is a passage shaped by kinship with the living world, where the boundary between traveler and landscape remains deliberately uncertain.

The raised staff gives the journey a modest sense of purpose, though nothing in the scene insists on a destination. A bundle carried on the figure’s back suggests readiness for distance, while the relaxed stride keeps adventure close to the pastoral and familiar. The work allows myth to feel less like an interruption of nature than one of its older languages.

Around the faun’s head, leaves and blossoms soften the presence of the curled horns, complicating any simple division between the human and the wild. The figure seems neither disguised nor fully revealed, but comfortably suspended between those states. That ambiguity lends the scene its gentle strangeness.

Beyond the crossing figure, bright grasses and open sky create a generous interval of time, as though the world has briefly made room for wandering. The distant tree and cloud-filled expanse do not close the scene around the faun; they extend the sense of a route continuing beyond what can be seen.

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