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FROSTGLASS CAPITAL - Oil Painting On Canvas By Leonid Afremov

ice city,crystal architecture,frozen elemental city,oil painting,afremov style

The official online virtual gallery of Leonid Afremov

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  • Size: 30"x24" (75cm x 60cm)
  • Signature: Signed on the front and back
  • Certification: Signed COA provided
  • Materials: Palette Knife, Oil Paint, Canvas
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A UNIQUE ONE-OF-A-KIND ORIGINAL OIL PAINTING ON CANVAS - THE BEST POSSIBLE QUALITY HAND-PAINTED ARTWORK BY LEONID AFREMOV GALLERY ARTIST

This is a real 100% UNIQUE Hand-painted ONE-OF-A-KIND ORIGINAL painting by Afremov Gallery (not a print, or recreation artwork)

The painting is signed on the front and the back, this artwork comes with a certificate of authenticity, personally signed by the artist

This painting looks tridimensional and has a lot of heavy textures

This painting shows tall translucent towers carved from ice, glowing softly with reflected light. Cool blues and pale whites dominate. The mood is quiet and elegant, presenting ice as stillness and clarity.

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Between suspended light and deep reflection, Frostglass Capital presents the city as a state of inward stillness rather than a destination. Its clustered spires rise with an almost crystalline poise, while the softened skyline resists the certainty of ordinary architecture. The scene feels less inhabited than remembered, held in a moment where distance becomes a form of clarity.

The central towers gather beneath a pale opening in the sky, giving the composition a quiet gravitational pull. Their cool radiance suggests order without removing mystery; the city seems to exist between arrival and disappearance, lucid yet beyond possession. Small warm accents within the restrained atmosphere keep that stillness from becoming empty.

Below the shoreline, the reflected buildings loosen into elongated fragments. This repetition does not simply mirror the upper world - it makes the city appear doubled, as though thought and place were briefly sharing the same outline. The water’s calm gives the architecture a second, less stable identity, one shaped by memory rather than permanence.

What remains is an elegant tension between aspiration and surrender. The pointed forms reach upward, but their downward echoes draw them back into silence. Cool blues, lavender, and softened whites sustain a dreamlike calm, while the occasional warmer note hints at life continuing within a world that otherwise seems suspended outside ordinary time.

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