Authentic Oil on Canvas — Own an Afremov original | Free Shipping + 10% OFF with code DIMA10

FREE SILHOUETTE

free, silhouette, palette knife, oil painting, impasto, thick pigment, layered surface, scraped paint, textured strokes, expressive surface, material depth, hand painted, visual balance, atmospheric, color interaction, paint ridges, manual technique

The official online virtual gallery of Leonid Afremov

Here you can purchase oil on canvas paintings directly

  • Size: 30"x24" (75cm x 60cm)
  • Signature: Signed on the front and back
  • Certification: Signed COA provided
  • Materials: Palette Knife, Oil Paint, Canvas
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A UNIQUE ONE-OF-A-KIND ORIGINAL OIL PAINTING ON CANVAS - THE BEST POSSIBLE QUALITY HAND-PAINTED ARTWORK BY LEONID AFREMOV GALLERY ARTIST

This is a real 100% UNIQUE Hand-painted ONE-OF-A-KIND ORIGINAL painting by Afremov Gallery (not a print, or recreation artwork)

The painting is signed on the front and the back, this artwork comes with a certificate of authenticity, personally signed by the artist

This painting looks tridimensional and has a lot of heavy textures

FREE SILHOUETTE draws from horse aesthetics, focusing on texture, rhythm, and spatial balance rather than literal narrative.

Palette knife strokes build a physical surface where paint thickness and scraping guide the eye across the composition.

The image emphasizes atmosphere and material presence, encouraging slow and reflective viewing.

Hand Painted by Artist Hand Painted by Artist
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Against the charged stillness of a horizon just opening, Free Silhouette considers freedom as a moment of emergence rather than escape. The horse stands between the dark ridge and the illuminated sky, held in sharp relief yet not confined by either. Its raised head and unsettled mane give the figure a readiness that feels instinctive, as though the surrounding vastness has called it briefly into attention.

The warm break of light behind the horse makes its darkness less an ending than a threshold. Above, the sky gathers through violet, lavender, and rose into a changing atmospheric field, suggesting that movement can begin inwardly before the body takes a step. The solitary figure remains specific and grounded, but its presence opens into something more expansive than portraiture.

There is restraint in the horse’s stillness, balanced by the sweep of its tail and the uneven ground beneath it. That tension lends the scene its drama: freedom appears neither effortless nor triumphant, but as a poised interval between rootedness and departure. The painting leaves that interval intact, allowing the silhouette to hold its direction without resolving where it will lead.

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