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DRIFTING RHYTHM - Oil Painting On Canvas By Leonid Afremov

drifting, rhythm, geometric abstract, palette knife, oil painting, impasto, thick paint, textured surface, expressive art, painterly style, material depth, visual rhythm, hand painted, layered pigment, atmospheric, fine art, contemporary painting

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  • Size: 30"x24" (75cm x 60cm)
  • Signature: Signed on the front and back
  • Certification: Signed COA provided
  • Materials: Palette Knife, Oil Paint, Canvas
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A UNIQUE ONE-OF-A-KIND ORIGINAL OIL PAINTING ON CANVAS - THE BEST POSSIBLE QUALITY HAND-PAINTED ARTWORK BY LEONID AFREMOV GALLERY ARTIST

This is a real 100% UNIQUE Hand-painted ONE-OF-A-KIND ORIGINAL painting by Afremov Gallery (not a print, or recreation artwork)

The painting is signed on the front and the back, this artwork comes with a certificate of authenticity, personally signed by the artist

This painting looks tridimensional and has a lot of heavy textures

DRIFTING RHYTHM shows angled shapes intersecting across the surface in rhythmic balance, focusing on mood, character, and visual impact.

Thick palette knife strokes give the surface depth and tactile presence.

The composition balances expression and structure.

Hand Painted by Artist Hand Painted by Artist
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Across a crowded field of intersecting directions, Drifting Rhythm turns movement into a question of balance, where each passage seems to lean into the next without settling. The work holds energy in suspension: not a scene, but a gathering of impulses that remain distinct while belonging to a larger cadence. Its abstraction feels less like escape from the world than a way of registering how attention moves - quickly, unevenly, and with sudden returns.

A concentration of pale whites, creams, and soft blues opens through the center and upper right, while deeper teal, burgundy, and green anchor the lower and leftward reaches. This shift gives the composition a sense of inward weather, as though brightness is not simply opposed to darkness but continually drawn out of it. The result is vivid without becoming carefree; its liveliness carries a weight of concentration.

What emerges is a form of order that never depends on stillness. The work allows opposing impulses to remain present - urgency beside pause, density beside release, exuberance beside restraint. Its rhythm is felt as an ongoing adjustment, a movement that gathers force precisely because it refuses a final point of rest.

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