DAILY SETTING - Oil Painting On Canvas By Leonid Afremov
The official online virtual gallery of Leonid Afremov
Here you can purchase oil on canvas paintings directly
- Size: 60"x48" (150cm x 120cm)
- Signature: Signed on the front and back
- Certification: Signed COA provided
- Materials: Palette Knife, Oil Paint, Canvas
A UNIQUE ONE-OF-A-KIND ORIGINAL OIL PAINTING ON CANVAS - THE BEST POSSIBLE QUALITY HAND-PAINTED ARTWORK BY LEONID AFREMOV GALLERY ARTIST
This is a real 100% UNIQUE Hand-painted ONE-OF-A-KIND ORIGINAL painting by Afremov Gallery (not a print, or recreation artwork)
The painting is signed on the front and the back, this artwork comes with a certificate of authenticity, personally signed by the artist
This painting looks tridimensional and has a lot of heavy textures
DAILY SETTING draws from food aesthetics, focusing on texture, rhythm, and spatial balance rather than literal narrative.
Palette knife strokes build a physical surface where paint thickness and scraping guide the eye across the composition.
The image emphasizes atmosphere and material presence, encouraging slow and reflective viewing.
Hand Painted by Artist
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100% Premium Canvas
At the edge of an unhurried meal, Daily Setting gathers familiar objects into a moment that feels suspended between preparation and welcome. The tall bottle at its center gives the arrangement a quiet sense of occasion, while the surrounding food and vessels suggest abundance without prescribing celebration. Warm light meets the muted room with the intimacy of a late domestic hour, when conversation may have ended but the table still holds its presence.
The composition is less about a particular meal than about the rituals that gather around one. Citrus, bread, drink, and shared vessels become signs of attention - small provisions arranged with enough care to make ordinary time feel deliberate. The vivid yellow label catches the eye like a modest interruption, keeping the scene from settling into nostalgia.
There is also a gentle distance here. The clustered setting promises company, yet no figure enters to claim it, leaving the viewer to sense the interval before or after human presence. Amber liquid and deepening shadow hold that uncertainty gracefully, allowing the work to feel both hospitable and privately contemplative.
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