CUT BALANCE - Oil Painting On Canvas By Leonid Afremov
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- Size: 30"x24" (75cm x 60cm)
- Signature: Signed on the front and back
- Certification: Signed COA provided
- Materials: Palette Knife, Oil Paint, Canvas
A UNIQUE ONE-OF-A-KIND ORIGINAL OIL PAINTING ON CANVAS - THE BEST POSSIBLE QUALITY HAND-PAINTED ARTWORK BY LEONID AFREMOV GALLERY ARTIST
This is a real 100% UNIQUE Hand-painted ONE-OF-A-KIND ORIGINAL painting by Afremov Gallery (not a print, or recreation artwork)
The painting is signed on the front and the back, this artwork comes with a certificate of authenticity, personally signed by the artist
This painting looks tridimensional and has a lot of heavy textures
CUT BALANCE draws from matisse aesthetics, focusing on texture, rhythm, and spatial balance rather than literal narrative.
Palette knife strokes build a physical surface where paint thickness and scraping guide the eye across the composition.
The image emphasizes atmosphere and material presence, encouraging slow and reflective viewing.
Hand Painted by Artist
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100% Premium Canvas
Between stillness and measured asymmetry, Cut Balance turns a domestic arrangement into a study of restraint, where presence depends less on abundance than on the distance between things. The dark teal vessel anchors this suspended order, while its slender branches extend beyond the table as if balance were always being tested. Nothing feels fixed in meaning; the arrangement holds open a space between ceremony and ordinary use.
The smaller vessels and quiet forms gather along the lower edge with the deliberateness of a sentence whose pauses matter as much as its words. A coral leaf reaching leftward introduces a gentle disturbance, preventing the composition from settling into mere symmetry. That slight imbalance gives the scene its human measure - composed, but not fully resolved.
As the eye returns to the grouping, the objects begin to feel less like possessions than participants in a temporary accord. The muted meeting of teal, cream, rose, and ochre keeps the atmosphere inward and contemplative, while the branches suggest a rhythm that continues beyond the visible arrangement. The work’s calm is therefore active: a balance maintained through attention, not stillness alone.
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