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COPPER SHADOW CLOCK - Oil Painting On Canvas By Leonid Afremov

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  • Size: 34"x28" (86cm x 71cm)
  • Signature: Signed on the front and back
  • Certification: Signed COA provided
  • Materials: Palette Knife, Oil Paint, Canvas
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A UNIQUE ONE-OF-A-KIND ORIGINAL OIL PAINTING ON CANVAS - THE BEST POSSIBLE QUALITY HAND-PAINTED ARTWORK BY LEONID AFREMOV GALLERY ARTIST

This is a real 100% UNIQUE Hand-painted ONE-OF-A-KIND ORIGINAL painting by Afremov Gallery (not a print, or recreation artwork)

The painting is signed on the front and the back, this artwork comes with a certificate of authenticity, personally signed by the artist

This painting looks tridimensional and has a lot of heavy textures

COPPER SHADOW CLOCK reflects a scene inspired by steampunk aesthetics, expressed through confident palette knife strokes and layered pigment.

The surface reveals intentional texture, with raised paint catching light and softer tones settling into subtle transitions.

The composition focuses on atmosphere and material presence rather than literal detail, encouraging calm and intuitive viewing.

Hand Painted by Artist Hand Painted by Artist
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Time here feels less like measurement than a presence embedded in old architecture, where memory and mechanism occupy the same space. Copper Shadow Clock draws the eye into that tension, making duration seem weighty, ceremonial, and faintly estranged from ordinary life. Its warm central glow suggests an instrument still keeping faith with a world that has partially receded.

The clock’s Roman numerals and dark hands impose a human order on the surrounding blocks, yet the visible gears complicate that order with their suggestion of hidden labor. This is not time as abstraction, but time as something assembled, maintained, and shadowed by forces we cannot fully see. The angled face gives the encounter a subtle instability, as though the object belongs equally to a room and to a private memory.

Deep recesses gather around the illuminated center, creating an atmosphere of guarded attention rather than simple nostalgia. The small sphere at the far left introduces a restrained counterpoint, almost like a witness to the clock’s solemn concentration. Warm bronze and muted stone tones hold the work between relic and machine, inviting a reading shaped by endurance, secrecy, and the slow persistence of things that outlast their original purpose.

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