CITY PROJECTION - Oil Painting On Canvas By Leonid Afremov
The official online virtual gallery of Leonid Afremov
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- Size: 25"x15" (64cm x 38cm)
- Signature: Signed on the front and back
- Certification: Signed COA provided
- Materials: Palette Knife, Oil Paint, Canvas
We would like to present hand painted oil on canvas painting of Leonid Afremov gallery artist artwork mentioned in the title.
This art piece made by Leonid Afremov Studio with the full amount of soul and emotion. The piece is created with oil paint on artistic canvas. The artwork has a lot of texture, you can feel the strokes by touching this painting.
By purchasing on our site, you are buying directly from Leonid Afremov Studio. We guarantee your satisfaction and the best customer experience.
The artwork is signed on the back and on the front. This painting looks tridimensional and has a lot of heavy textures, inspired by AI image. The certificate of authenticity will include the name of the owner who purchased the piece of artwork. The certificate is signed by Leonid Afremov Studio.
If you are buying this painting as a gift, please provide us the name of the gift recipient for the certificate. We can also ship to the address of the recipient of your gift.
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Between arrival and escape, City Projection imagines motion as a form of uncertain promise. The vehicles seem to advance through a city that is less a destination than a charged threshold, where the future appears already illuminated yet not fully known. A warm concentration near the distant skyline draws the eye beyond the immediate brilliance, giving the scene a sense of direction without settling its meaning.
The dominant car occupies the foreground with a poised, almost ceremonial presence, while the smaller vehicles recede toward the glowing architecture. Their cyan lights suggest alertness, but the surrounding magenta radiance keeps that alertness from becoming purely practical; the scene feels suspended between transportation and dream. Reflections extending across the lower field make each movement seem doubled, as though the city were rehearsing possibilities beneath the visible one.
Irregular pale lines crossing the skyline and floor introduce a delicate instability into the streamlined world. They may read as fractures, routes, or brief interruptions in an otherwise controlled future, allowing the image to hold both confidence and unease. Beneath its neon spectacle, the work lingers on the moment when progress becomes projection - a vision shaped as much by expectation as by arrival.
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