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BURNING CITY - Oil Painting On Canvas By Leonid Afremov

wizard, palette knife, oil painting, impasto, textured strokes, vivid colors, expressive art, modern painting, bold composition, dramatic light, color contrast, atmospheric, visual storytelling, contemporary art, creative, illustrative

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  • Size: 24"x20" (60cm x 50cm)
  • Signature: Signed on the front and back
  • Certification: Signed COA provided
  • Materials: Palette Knife, Oil Paint, Canvas
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A UNIQUE ONE-OF-A-KIND ORIGINAL OIL PAINTING ON CANVAS - THE BEST POSSIBLE QUALITY HAND-PAINTED ARTWORK BY LEONID AFREMOV GALLERY ARTIST

This is a real 100% UNIQUE Hand-painted ONE-OF-A-KIND ORIGINAL painting by Afremov Gallery (not a print, or recreation artwork)

The painting is signed on the front and the back, this artwork comes with a certificate of authenticity, personally signed by the artist

This painting looks tridimensional and has a lot of heavy textures

BURNING CITY presents a powerful wizard casting light from glowing hands in a mystical landscape.

Bold palette knife strokes and vivid lighting create depth and emotional intensity.

Hand Painted by Artist Hand Painted by Artist
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At the edge of an uncertain world, Burning City gathers darkness around a single act of reaching. The robed figure turns toward an intense central radiance, not as a conqueror, but as someone testing whether illumination can be summoned from within the surrounding threat. The scene holds the tension between revelation and danger, where the source of hope may also signal upheaval.

Across the water, the warm glow breaks into restless reflections, extending its influence beyond the distant forms. These fragments suggest that no boundary remains stable: light enters the foreground, shadow retreats only temporarily, and the figure stands between what can be seen and what remains concealed. The surrounding blues and violets deepen this uncertainty rather than resolving it.

The raised hand gives the work its emotional axis. It may be an appeal, an offering, or an attempt to command forces larger than the figure can understand. Behind it, the irregular vertical landscape feels less like a fixed city than a world in the process of becoming unfamiliar. What remains compelling is the figure’s isolation within that transformation - close enough to touch the light, yet still enclosed by darkness.

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