BALLERINA PREPARATION - Oil Painting On Canvas By Leonid Afremov
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- Size: 20"x36" (50cm x 90cm)
- Signature: Signed on the front and back
- Certification: Signed COA provided
- Materials: Palette Knife, Oil Paint, Canvas
We would like to present hand painted oil on canvas painting (recreation) of Afremov's artwork mentioned in the title. This art piece made by Leonid Afremov Studio with the same amount of soul and emotion just like the first original painting. The piece is created with oil paint on artistic canvas using Afremov's unique technique of a palette knife. The artwork has a lot of texture, you can feel the strokes by touching this painting. By purchasing on our site, you are buying directly from Leonid Afremov Studio. We guarantee your satisfaction and the best customer experience.
The artwork is signed on the back and on the front. The certificate of authenticity will include the name of the owner who purchased the piece of artwork. The certificate is signed by Leonid Afremov Studio. If you are buying this painting as a gift, please provide us the name of the gift recipient for the certificate. We can also ship to the address of the recipient of your gift.
about this painting:
Ballerina Preparation
The beauty of ballet
When choosing a painting, you should pay attention to its size. In addition to the usual parameters such as height and width, the canvas has another one – depth. What is this parameter? French artists began to isolate it in the 19th century. They began to subdivide the paintings into different formats taking into account various parameters such as shape, which can be the most diverse – square, rectangular, round, oval. The form is correlated with the genre of the painting. How? Well, for example, artists believed that paintings related to the marine theme should be as wide as possible, that is, have a rectangular shape. Indeed, such a form allows you to show how wide the sea horizon is. As for landscapes, sometimes the middle form is used, that is, the square. Thus, in the paintings, everything looks proportionate and harmonious. Now each format has its own number. For example,
- 8F (46 × 38)
- 15P (65 × 50)
- 20M (73 × 50).
But of course, not all paintings can be attributed to any particular format. For example, some large canvas prints by Leonid Afremov don’t fit into any format.
The size of an artwork
You probably noticed that the larger the canvas the more expensive it is. And it is quite natural because the artist spends much more time for its creation. What if you need a large-sized picture, but you don’t have much money? A great solution would be to buy a print. In it you will find the same bright colors as in the original oil canvas. In addition, it will also look good in your interior. However, do not buy too large canvases. It is worth considering the real size of your room. Too large canvas will look bulky and disproportionate; it will violate the general concept of your wall art.
Lightness of color
In this painting, the artist Leonid Afremov collected different colors in different places. On the right we find cold shades, and on the left are warm ones. Such a choice of shades has a certain meaning. As the name implies, the ballerina is only preparing for the performance, and therefore the right side of the painting is still waiting, but it will also warm up with bright colors as soon as the performance starts. Whatever paints the artist used, he always succeeded in creating very vivid works.
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Before movement fully claims the stage, Ballerina Preparation holds a charged moment of concentration, where readiness is already a form of performance. The folded figure seems gathered inward, not withdrawn, as though conserving breath and balance before the body gives itself to motion. Luminous warmth around the figure presses against darker passages, making anticipation feel physical without fixing it to a single story.
The work’s energy comes from that suspended interval between discipline and release. A pale leg extending into the surrounding color suggests direction, while the surrounding reds, violets, blues, and greens refuse the calm of an empty pause. Instead, preparation becomes an active interior state - alert, exposed, and quietly demanding. The figure appears to belong equally to stillness and to the movement about to follow.
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