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THE STOP AT DUSK - Oil Painting On Canvas By Leonid Afremov

german, a cobblestone market square, a flower-box window, rain-gloss cobbles, winter whites with cobalt shade, foreground subject, colorful background, soft reflections, impasto texture, cobalt shadows, warm highlights, painterly atmosphere, layered depth, knife stroke detail, cobblestone market, market square, flower window, rain gloss, gloss cobbles, winter whites

Galería virtual oficial en línea de Leonid Afremov

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  • Tamaño: 60"x48" (150cm x 120cm)
  • Firma: Firmado en el anverso y reverso
  • Certificación: COA firmado proporcionado
  • Materiales: Espátula, Pintura Al Óleo, Lienzo
Precio de hoy: EUR 527.12 Prezzo regolare: EUR 1,054.24
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A UNIQUE ONE-OF-A-KIND ORIGINAL OIL PAINTING ON CANVAS - THE BEST POSSIBLE QUALITY HAND-PAINTED ARTWORK BY LEONID AFREMOV GALLERY ARTIST

This is a real 100% UNIQUE Hand-painted ONE-OF-A-KIND ORIGINAL mixed media painting by Afremov Gallery (not a print, or recreation artwork)

The painting is signed on the front and the back, this artwork comes with a certificate of authenticity, personally signed by the artist

This painting looks tridimensional and has a lot of heavy textures

The Stop At Dusk frames a flower-box window against a cobblestone market square, so the scene reads instantly even from a distance.

Light is placed in clear value blocks so the composition stays readable. Rain-gloss cobbles adds a second beat of story without crowding the surface. Negative space is used on purpose, letting the composition breathe. Small accents sit where the eye naturally pauses, guiding the viewing path.

Underneath, winter whites with cobalt shade is tempered by subtle neutrals so the focal point stays clear. It feels quietly bustling, built more from atmosphere than from ornament.

Knife strokes remain visible by design, giving the scene a tactile finish while keeping details broad and achievable.

Soft reflections appear where they make sense—water, glass, polished stone—kept broad and easy to execute.

Directional knife marks subtly point toward the subject, creating movement even in still scenes.

The composition is staged like a set: foreground clarity, midground context, and a distant layer that fades into color.

The brightest paint sits on the focal object, while the background stays looser and more abstracted to preserve depth.

Hand Painted by Artist
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