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MISTY MUSIC PALETTE KNIFE Oil Painting On Canvas By Leonid Afremov

music paintings canvas
Catalog ID: 1102122

Galería virtual oficial en línea de Leonid Afremov

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  • Tamaño: 20"x36" (50cm x 90cm)
  • Firma: Firmado en el anverso y reverso
  • Certificación: COA firmado proporcionado
  • Materiales: Espátula, Pintura Al Óleo, Lienzo
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We would like to present hand painted oil on canvas painting (recreation) of Afremov's artwork mentioned in the title. This art piece made by Leonid Afremov Studio with the same amount of soul and emotion just like the first original painting. The piece is created with oil paint on artistic canvas using Afremov's unique technique of a palette knife. The artwork has a lot of texture, you can feel the strokes by touching this painting. By purchasing on our site, you are buying directly from Leonid Afremov Studio. We guarantee your satisfaction and the best customer experience.

The artwork is signed on the back and on the front. The certificate of authenticity will include the name of the owner who purchased the piece of artwork. The certificate is signed by Leonid Afremov Studio. If you are buying this painting as a gift, please provide us the name of the gift recipient for the certificate. We can also ship to the address of the recipient of your gift.

about this painting:

Misty Music 1

To the strains of cello

In one of his music paintings on canvas called Misty Music 1 Leonid portrayed a street musician playing the cello. He skillfully holds this complicated instrument in his hands. To all appearances, he has long been playing this instrument and this is his main earnings. He shared the fate of many street musicians - great talents. They could perform at the most popular venues existing at that time, but something went wrong in their lives, someone could not finish the music school, someone simply did not have enough money to get an education, and now they are forced to play in the streets attracting crowds of people, caressing their ears with their magnificent play. Despite the fact that he has not a large fortune, just a few cents in his pocket, the musician is what we call a sharp dressed man. He is dressed in a gorgeous suit consisting of a jacket, trousers, hat, vest, shirt and tie. Everything on him looks perfect - every article of clothing is brought to perfection. Under the hat we see the kind face of a young black man. It is obvious that the action takes place in America in the 20s - the early 30s, when racial segregation was still gaining momentum, and talented people from among blacks found it difficult to force their ways to decent life. That's why among street musicians you could often meet black people, and for sure it was a great success for spectators and listeners to meet such a musician - there was no need to pay anything to listen to a talented performer.

The upbeat mood of the painting the artist used a bright palette of colors that convince us that the musician has undoubtedly the success ahead and he will finally break through and take a rightful place in life!

These wonderful tunes

As we said the musician is playing cello. This instrument is not so popular as guitar and some other stringed instruments, that’s why we selected the most interesting facts about this instrument which might somehow make its image clearer to you:

  1. Count Vil'egorsky owned two beautiful cellos of Stradivarius. One of them later belonged to K.Yu. Davydov, then to Jacqueline du Pre, now it is owned by a famous cellist and composer Yo-Yo Ma.
  2. One day an original contest was held in Paris in which took part the great cellist The goal was to listen to the sound of ancient instruments made by the masters Guarneri and Stradivari, and to compare it with the sound of modern cellos made at the factory.
  3. Cellist Pablo Casals loved and spoiled his instruments. In the bow of one cello he inserted a sapphire, which was presented to him by the queen of Spain.

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En Misty Music, una actuación callejera se convierte en un estudio sobre el aplomo, la presión y la promesa de ser escuchado, mientras la indumentaria formal del músico sugiere una dignidad sostenida frente a circunstancias inciertas. Su instrumento oscuro desciende por el centro como una presencia estabilizadora, y el rostro oculto deja deliberadamente ilegible su vida interior. La obra no lo reduce a sus dificultades; dota su apariencia de la gravedad de alguien cuya disciplina ha perdurado más allá de los límites del reconocimiento.

El amplio sombrero claro reúne la luz más intensa y crea una silueta protegida, en lugar de un retrato plenamente revelado. A su alrededor, azules, verdes y morados profundos, junto con notas más cálidas, se mueven con una energía que parece menos un escenario definido que una atmósfera moldeada por el sonido. El músico parece suspendido por un instante entre la actuación pública y la concentración privada: ofrece algo preciso a unos desconocidos, aunque permanece parcialmente apartado de ellos.

Una mano extendida cerca del centro inferior acerca la actuación al espectador, pero la fina línea oscura junto a ella conserva una sensación de distancia - la frontera invisible entre artista y público. La luminosidad del cuadro transmite esperanza sin garantizar que llegue a cumplirse. Permite que el talento, la perseverancia y el azar ocupen el mismo instante cargado de tensión, en el que el modesto acto de tocar puede parecer a la vez un medio de vida y una declaración.

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