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AT TRAM STOP CORNER - Oil Painting On Canvas By Leonid Afremov

german, a lakeside terrace, a wall lantern above a doorway, a distant church spire, forest greens with golden highlights, foreground subject, colorful background, soft reflections, impasto texture, cobalt shadows, warm highlights, painterly atmosphere, layered depth, knife stroke detail, lakeside terrace, wall lantern, lantern above, distant church, church spire, forest greens

Galería virtual oficial en línea de Leonid Afremov

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  • Tamaño: 60"x48" (150cm x 120cm)
  • Firma: Firmado en el anverso y reverso
  • Certificación: COA firmado proporcionado
  • Materiales: Espátula, Pintura Al Óleo, Lienzo
Precio de hoy: EUR 527.12 Prezzo regolare: EUR 1,054.24
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A UNIQUE ONE-OF-A-KIND ORIGINAL OIL PAINTING ON CANVAS - THE BEST POSSIBLE QUALITY HAND-PAINTED ARTWORK BY LEONID AFREMOV GALLERY ARTIST

This is a real 100% UNIQUE Hand-painted ONE-OF-A-KIND ORIGINAL mixed media painting by Afremov Gallery (not a print, or recreation artwork)

The painting is signed on the front and the back, this artwork comes with a certificate of authenticity, personally signed by the artist

This painting looks tridimensional and has a lot of heavy textures

At Tram Stop Corner draws you straight to a wall lantern above a doorway, placed close to the picture plane inside a lakeside terrace.

Reflections and highlights are suggested with broad strokes instead of tiny linework. Light is placed in clear value blocks so the composition stays readable. Small accents sit where the eye naturally pauses, guiding the viewing path. The background dissolves into larger color fields so the main object stays dominant.

The palette leans into forest greens with golden highlights, with warm highlights balancing cool cobalt shadow planes. The scene lands as cozy and grounded, a quiet moment shaped by light and space.

Thick palette-knife strokes stay front and center: ridges describe surfaces, and highlights are placed as bold, paintable shapes.

Texture is emphasized through ridged impasto that catches light and gives the surface a sculptural feel.

The composition is staged like a set: foreground clarity, midground context, and a distant layer that fades into color.

Directional knife marks subtly point toward the subject, creating movement even in still scenes.

Soft reflections appear where they make sense—water, glass, polished stone—kept broad and easy to execute.

Hand Painted by Artist
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