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UNDER THE MOONLAKE

chinese dragon, a moonlit lake shore, a coiling dragon over dark water, gold sparks in the air, vermillion glow against deep blue night, foreground subject, colorful background, soft reflections, impasto texture, cobalt shadows, warm highlights, painterly atmosphere, layered depth, knife stroke detail, moonlit lake, lake shore, coiling dragon, dragon over, gold sparks, vermillion glow

La galleria virtuale ufficiale online di Leonid Afremov

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  • Misurare: 20"x16" (50cm x 40cm)
  • Firma: Firmato davanti e dietro
  • Certificazione: Certificato di autenticità firmato fornito
  • Materiali: Spatola, pittura ad olio, tela
Prezzo odierno: 131,12 € Prezzo predefinito: 262,24 €
50% off
Salva 131,12 €
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A UNIQUE ONE-OF-A-KIND ORIGINAL OIL PAINTING ON CANVAS - THE BEST POSSIBLE QUALITY HAND-PAINTED ARTWORK BY LEONID AFREMOV GALLERY ARTIST

This is a real 100% UNIQUE Hand-painted ONE-OF-A-KIND ORIGINAL mixed media painting by Afremov Gallery (not a print, or recreation artwork)

The painting is signed on the front and the back, this artwork comes with a certificate of authenticity, personally signed by the artist

This painting looks tridimensional and has a lot of heavy textures

Under The Moonlake opens on a moonlit lake shore, with a coiling dragon over dark water held in the foreground like a visual anchor.

Gold sparks in the air adds a second beat of story without crowding the surface. Light is placed in clear value blocks so the composition stays readable. The overall geometry remains clean, even when the texture is energetic. Negative space is used on purpose, letting the composition breathe.

The palette leans into vermillion glow against deep blue night, with warm highlights balancing cool cobalt shadow planes. There is a mysterious but celebratory calm to it, even where the texture is bold.

The design favors paintability: clear silhouettes, big value shapes, and texture that implies detail without demanding it.

Soft reflections appear where they make sense—water, glass, polished stone—kept broad and easy to execute.

The composition is staged like a set: foreground clarity, midground context, and a distant layer that fades into color.

Texture is emphasized through ridged impasto that catches light and gives the surface a sculptural feel.

Directional knife marks subtly point toward the subject, creating movement even in still scenes.

Hand Painted by Artist
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