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TILTED HALL OF MIRRORS

a tilted hall lined with mirrors that warp arches and pillars into distorted reflections, a grand interior whose structure seems to melt inside the glass, cool metallic silvers, cool blues, and warm gold glints, theatrical, dramatic, and slightly surreal, optical illusion painting, impossible perspective, surreal geometry, abstract architecture, depth distortion, visual paradox, oil painting palette knife style, thick textured strokes, illusion art, mind bending space, dreamlike perspective, geometric abstraction

La galleria virtuale ufficiale online di Leonid Afremov

Qui potete acquistare direttamente dipinti ad olio su tela

  • Misurare: 40"x32" (100cm x 80cm)
  • Firma: Firmato davanti e dietro
  • Certificazione: Certificato di autenticità firmato fornito
  • Materiali: Spatola, pittura ad olio, tela
Prezzo odierno: 199,00 USD Prezzo predefinito: 1.600,00 USD
88% off
Salva 1.401,00 USD
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Spedizione gratuita in tutto il mondo
90 giorni di reso gratuito

A UNIQUE ONE-OF-A-KIND ORIGINAL OIL PAINTING ON CANVAS - THE BEST POSSIBLE QUALITY HAND-PAINTED ARTWORK BY LEONID AFREMOV GALLERY ARTIST

This is a real 100% UNIQUE Hand-painted ONE-OF-A-KIND ORIGINAL mixed media painting by Afremov Gallery (not a print, or recreation artwork)

The painting is signed on the front and the back, this artwork comes with a certificate of authenticity, personally signed by the artist

This painting looks tridimensional and has a lot of heavy textures

TILTED HALL OF MIRRORS presents a tilted hall lined with mirrors that warp arches and pillars into distorted reflections staged inside a grand interior whose structure seems to melt inside the glass. The composition is arranged to make solid architecture feel unstable, with edges that almost line up and then slide out of agreement. Spaces appear to overlap or fold, so that a single area can read as foreground in one glance and distant background in the next.

Working in an oil painting palette knife style, the artist describes every surface with cool metallic silvers, cool blues, and warm gold glints pressed and dragged across the canvas. Thick ridges of paint catch the suggestion of light, while scraped passages open up quieter zones that seem to breathe. As the viewer traces these textures, depth appears to lengthen or collapse, turning the physical marks of paint into the engine of the illusion.

The mood remains theatrical, dramatic, and slightly surreal, encouraging slow, curious looking rather than a single quick reading. With time, new alignments between lines and planes become visible, and the image feels as if it is quietly reconfiguring itself in response to attention.

Small discrepancies between what logic expects and what the eye actually finds keep the illusion active, so each viewing offers a subtly different experience of the shifting space and layered depth.

Hand Painted by Artist
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