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THE CARNIVAL IN SILENCE - Oil Painting On Canvas By Leonid Afremov

zombie, a mural-lined tunnel, a rusted bicycle, orange flare smoke, ashen gray with neon orange pops, foreground subject, colorful background, soft reflections, impasto texture, cobalt shadows, warm highlights, painterly atmosphere, layered depth, knife stroke detail, mural lined, lined tunnel, rusted bicycle, orange flare, flare smoke, ashen gray

La galleria virtuale ufficiale online di Leonid Afremov

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  • Misurare: 30"x24" (75cm x 60cm)
  • Firma: Firmato davanti e dietro
  • Certificazione: Certificato di autenticità firmato fornito
  • Materiali: Spatola, pittura ad olio, tela
Prezzo odierno: 183,92 € Prezzo predefinito: 367,84 €
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Salva 183,92 €
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A UNIQUE ONE-OF-A-KIND ORIGINAL OIL PAINTING ON CANVAS - THE BEST POSSIBLE QUALITY HAND-PAINTED ARTWORK BY LEONID AFREMOV GALLERY ARTIST

This is a real 100% UNIQUE Hand-painted ONE-OF-A-KIND ORIGINAL mixed media painting by Afremov Gallery (not a print, or recreation artwork)

The painting is signed on the front and the back, this artwork comes with a certificate of authenticity, personally signed by the artist

This painting looks tridimensional and has a lot of heavy textures

The Carnival In Silence draws you straight to a rusted bicycle, placed close to the picture plane inside a mural-lined tunnel.

Midground shapes stay simplified and graphic, while texture supplies the nuance. Reflections and highlights are suggested with broad strokes instead of tiny linework. The background dissolves into larger color fields so the main object stays dominant. Small accents sit where the eye naturally pauses, guiding the viewing path.

Across the scene, ashen gray with neon orange pops is layered in knife strokes that catch light like relief. It feels moody, like a paused scene, built more from atmosphere than from ornament.

Thick palette-knife strokes stay front and center: ridges describe surfaces, and highlights are placed as bold, paintable shapes.

Directional knife marks subtly point toward the subject, creating movement even in still scenes.

The composition is staged like a set: foreground clarity, midground context, and a distant layer that fades into color.

Soft reflections appear where they make sense—water, glass, polished stone—kept broad and easy to execute.

Texture is emphasized through ridged impasto that catches light and gives the surface a sculptural feel.

Hand Painted by Artist
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