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THE BOARDWALK IN SILENCE PALETTE KNIFE Oil Painting On Canvas By Leonid Afremov

zombie, a stormy harbor pier, a toppled mailbox, ivy climbing brick, ashen gray with neon orange pops, foreground subject, colorful background, soft reflections, impasto texture, cobalt shadows, warm highlights, painterly atmosphere, layered depth, knife stroke detail, stormy harbor, harbor pier, toppled mailbox, climbing brick, ashen gray, gray with

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  • Misurare: 24"x20" (60cm x 50cm)
  • Firma: Firmato davanti e dietro
  • Certificazione: Certificato di autenticità firmato fornito
  • Materiali: Spatola, pittura ad olio, tela
Prezzo odierno: 122,32 € Prezzo predefinito: 244,64 €
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Salva 122,32 €
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A UNIQUE ONE-OF-A-KIND ORIGINAL OIL PAINTING ON CANVAS - THE BEST POSSIBLE QUALITY HAND-PAINTED ARTWORK BY LEONID AFREMOV GALLERY ARTIST

This is a real 100% UNIQUE Hand-painted ONE-OF-A-KIND ORIGINAL mixed media painting by Afremov Gallery (not a print, or recreation artwork)

The painting is signed on the front and the back, this artwork comes with a certificate of authenticity, personally signed by the artist

This painting looks tridimensional and has a lot of heavy textures

The Boardwalk In Silence begins with a toppled mailbox up front, then fades into the wider space of a stormy harbor pier.

Edges are carved with decisive knife marks, giving forms a sculpted clarity. Ivy climbing brick adds a second beat of story without crowding the surface. The background dissolves into larger color fields so the main object stays dominant. Negative space is used on purpose, letting the composition breathe.

Color moves through ashen gray with neon orange pops, building contrast through thick, visible impasto ridges. The scene lands as uneasy but quiet, a quiet moment shaped by light and space.

Thick palette-knife strokes stay front and center: ridges describe surfaces, and highlights are placed as bold, paintable shapes.

The brightest paint sits on the focal object, while the background stays looser and more abstracted to preserve depth.

The composition is staged like a set: foreground clarity, midground context, and a distant layer that fades into color.

Texture is emphasized through ridged impasto that catches light and gives the surface a sculptural feel.

Hand Painted by Artist
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