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THE BEFORE WET COBBLES - Oil Painting On Canvas By Leonid Afremov

zombie, a deserted library hall, a cracked streetlamp, orange flare smoke, cool cobalt with sickly green highlights, foreground subject, colorful background, soft reflections, impasto texture, cobalt shadows, warm highlights, painterly atmosphere, layered depth, knife stroke detail, deserted library, library hall, cracked streetlamp, orange flare, flare smoke, cool cobalt

La galleria virtuale ufficiale online di Leonid Afremov

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  • Misurare: 50"x40" (127cm x 100cm)
  • Firma: Firmato davanti e dietro
  • Certificazione: Certificato di autenticità firmato fornito
  • Materiali: Spatola, pittura ad olio, tela
Prezzo odierno: 351,12 € Prezzo predefinito: 702,24 €
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Salva 351,12 €
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A UNIQUE ONE-OF-A-KIND ORIGINAL OIL PAINTING ON CANVAS - THE BEST POSSIBLE QUALITY HAND-PAINTED ARTWORK BY LEONID AFREMOV GALLERY ARTIST

This is a real 100% UNIQUE Hand-painted ONE-OF-A-KIND ORIGINAL mixed media painting by Afremov Gallery (not a print, or recreation artwork)

The painting is signed on the front and the back, this artwork comes with a certificate of authenticity, personally signed by the artist

This painting looks tridimensional and has a lot of heavy textures

The Before Wet Cobbles begins with a cracked streetlamp up front, then fades into the wider space of a deserted library hall.

Midground shapes stay simplified and graphic, while texture supplies the nuance. Depth comes from overlapping planes rather than fussy detail. Negative space is used on purpose, letting the composition breathe. Small accents sit where the eye naturally pauses, guiding the viewing path.

Color moves through cool cobalt with sickly green highlights, building contrast through thick, visible impasto ridges. The scene lands as atmospheric and deserted, a quiet moment shaped by light and space.

Knife strokes remain visible by design, giving the scene a tactile finish while keeping details broad and achievable.

The composition is staged like a set: foreground clarity, midground context, and a distant layer that fades into color.

Soft reflections appear where they make sense—water, glass, polished stone—kept broad and easy to execute.

Directional knife marks subtly point toward the subject, creating movement even in still scenes.

Texture is emphasized through ridged impasto that catches light and gives the surface a sculptural feel.

Hand Painted by Artist
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