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THE ALLEY BEFORE RAIN - Oil Painting On Canvas By Leonid Afremov

zombie, a flooded subway entrance, a cracked streetlamp, broken glass sparkle, ashen gray with neon orange pops, foreground subject, colorful background, soft reflections, impasto texture, cobalt shadows, warm highlights, painterly atmosphere, layered depth, knife stroke detail, flooded subway, subway entrance, cracked streetlamp, broken glass, glass sparkle, ashen gray

La galleria virtuale ufficiale online di Leonid Afremov

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  • Misurare: 30"x24" (75cm x 60cm)
  • Firma: Firmato davanti e dietro
  • Certificazione: Certificato di autenticità firmato fornito
  • Materiali: Spatola, pittura ad olio, tela
Prezzo odierno: 131,12 € Prezzo predefinito: 262,24 €
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Salva 131,12 €
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A UNIQUE ONE-OF-A-KIND ORIGINAL OIL PAINTING ON CANVAS - THE BEST POSSIBLE QUALITY HAND-PAINTED ARTWORK BY LEONID AFREMOV GALLERY ARTIST

This is a real 100% UNIQUE Hand-painted ONE-OF-A-KIND ORIGINAL mixed media painting by Afremov Gallery (not a print, or recreation artwork)

The painting is signed on the front and the back, this artwork comes with a certificate of authenticity, personally signed by the artist

This painting looks tridimensional and has a lot of heavy textures

The Alley Before Rain draws you straight to a cracked streetlamp, placed close to the picture plane inside a flooded subway entrance.

Broken glass sparkle adds a second beat of story without crowding the surface. Midground shapes stay simplified and graphic, while texture supplies the nuance. Negative space is used on purpose, letting the composition breathe. The background dissolves into larger color fields so the main object stays dominant.

Ashen gray with neon orange pops drives the mood, while soft glow and controlled shadows keep it readable. It feels suspenseful without gore, built more from atmosphere than from ornament.

The design favors paintability: clear silhouettes, big value shapes, and texture that implies detail without demanding it.

The composition is staged like a set: foreground clarity, midground context, and a distant layer that fades into color.

Directional knife marks subtly point toward the subject, creating movement even in still scenes.

Texture is emphasized through ridged impasto that catches light and gives the surface a sculptural feel.

Soft reflections appear where they make sense—water, glass, polished stone—kept broad and easy to execute.

Hand Painted by Artist
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