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QUARRY AFTER RAIN - Oil Painting On Canvas By Leonid Afremov

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La galleria virtuale ufficiale online di Leonid Afremov

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  • Misurare: 60"x48" (150cm x 120cm)
  • Firma: Firmato davanti e dietro
  • Certificazione: Certificato di autenticità firmato fornito
  • Materiali: Spatola, pittura ad olio, tela
Prezzo odierno: 527,12 € Prezzo predefinito: 1.054,24 €
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Salva 527,12 €
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A UNIQUE ONE-OF-A-KIND ORIGINAL OIL PAINTING ON CANVAS - THE BEST POSSIBLE QUALITY HAND-PAINTED ARTWORK BY LEONID AFREMOV GALLERY ARTIST

This is a real 100% UNIQUE Hand-painted ONE-OF-A-KIND ORIGINAL mixed media painting by Afremov Gallery (not a print, or recreation artwork)

The painting is signed on the front and the back, this artwork comes with a certificate of authenticity, personally signed by the artist

This painting looks tridimensional and has a lot of heavy textures

QUARRY AFTER RAIN treats the scene almost like a remembered fragment. What stands out first is terraced stone cut walls, but the surrounding world of an abandoned limestone quarry with puddles between the tracks is just as important because it provides scale, rhythm, and silence around the main form.

Instead of chasing tiny detail, the painting relies on large directional marks and confident color blocks. The arrangement is wide landscape from the rim with reflective water below, which gives the eye a clear route to follow. Nothing is fussy, yet every scraped edge and loaded stroke contributes to the sense of place.

The light comes from storm-clearing light, and that choice changes the entire reading of the image. Brighter passages appear almost carved into the paint, while recessive tones are pressed into softer, flatter passages. Slate gray, moss green, chalk white, silver set up a contrast that feels dramatic without becoming theatrical.

Seen up close, the impasto becomes part of the subject. Knife marks imitate rough stone, damp air, polished metal, feathers, water, cloth, or weathered wood depending on where they land. That flexibility is what makes the scene convincing as a painting first and a description of a place second.

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