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PICNIC AND LETTER - Oil Painting On Canvas By Leonid Afremov

mothers day, a breakfast tray by the window, a folded letter tied with ribbon, bright spring blur beyond glass, soft pinks with warm gold, foreground subject, colorful background, soft reflections, impasto texture, cobalt shadows, warm highlights, painterly atmosphere, layered depth, knife stroke detail, breakfast tray, tray window, folded letter, letter tied, bright spring, spring blur

La galleria virtuale ufficiale online di Leonid Afremov

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  • Misurare: 20"x16" (50cm x 40cm)
  • Firma: Firmato davanti e dietro
  • Certificazione: Certificato di autenticità firmato fornito
  • Materiali: Spatola, pittura ad olio, tela
Prezzo odierno: 131,12 € Prezzo predefinito: 262,24 €
50% off
Salva 131,12 €
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A UNIQUE ONE-OF-A-KIND ORIGINAL OIL PAINTING ON CANVAS - THE BEST POSSIBLE QUALITY HAND-PAINTED ARTWORK BY LEONID AFREMOV GALLERY ARTIST

This is a real 100% UNIQUE Hand-painted ONE-OF-A-KIND ORIGINAL mixed media painting by Afremov Gallery (not a print, or recreation artwork)

The painting is signed on the front and the back, this artwork comes with a certificate of authenticity, personally signed by the artist

This painting looks tridimensional and has a lot of heavy textures

Picnic And Letter focuses on a folded letter tied with ribbon first, then lets the eye travel outward across a breakfast tray by the window.

Midground shapes stay simplified and graphic, while texture supplies the nuance. Depth comes from overlapping planes rather than fussy detail. The background dissolves into larger color fields so the main object stays dominant. Light is staged in layers: a bright foreground note, a quieter midground, and a deep receding distance.

Color moves through soft pinks with warm gold, building contrast through thick, visible impasto ridges. There is a quietly celebratory calm to it, even where the texture is bold.

The design favors paintability: clear silhouettes, big value shapes, and texture that implies detail without demanding it.

Directional knife marks subtly point toward the subject, creating movement even in still scenes.

Soft reflections appear where they make sense—water, glass, polished stone—kept broad and easy to execute.

The composition is staged like a set: foreground clarity, midground context, and a distant layer that fades into color.

The brightest paint sits on the focal object, while the background stays looser and more abstracted to preserve depth.

Hand Painted by Artist
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