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INTO TEMPLE GATE SHADE - Oil Painting On Canvas By Leonid Afremov

egypt, a tomb entrance in shade, a wooden oar by the water, sunbeam through an arch, warm ochre with deep azure shadows, foreground subject, colorful background, soft reflections, impasto texture, cobalt shadows, warm highlights, painterly atmosphere, layered depth, knife stroke detail, tomb entrance, entrance shade, wooden water, sunbeam through, through arch, warm ochre

La galleria virtuale ufficiale online di Leonid Afremov

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  • Misurare: 24"x20" (60cm x 50cm)
  • Firma: Firmato davanti e dietro
  • Certificazione: Certificato di autenticità firmato fornito
  • Materiali: Spatola, pittura ad olio, tela
Prezzo odierno: 122,32 € Prezzo predefinito: 244,64 €
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Salva 122,32 €
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A UNIQUE ONE-OF-A-KIND ORIGINAL OIL PAINTING ON CANVAS - THE BEST POSSIBLE QUALITY HAND-PAINTED ARTWORK BY LEONID AFREMOV GALLERY ARTIST

This is a real 100% UNIQUE Hand-painted ONE-OF-A-KIND ORIGINAL mixed media painting by Afremov Gallery (not a print, or recreation artwork)

The painting is signed on the front and the back, this artwork comes with a certificate of authenticity, personally signed by the artist

This painting looks tridimensional and has a lot of heavy textures

Into Temple Gate Shade draws you straight to a wooden oar by the water, placed close to the picture plane inside a tomb entrance in shade.

Depth comes from overlapping planes rather than fussy detail. Edges are carved with decisive knife marks, giving forms a sculpted clarity. Light is staged in layers: a bright foreground note, a quieter midground, and a deep receding distance. Small accents sit where the eye naturally pauses, guiding the viewing path.

Across the scene, warm ochre with deep azure shadows is layered in knife strokes that catch light like relief. The scene lands as grand but intimate, a quiet moment shaped by light and space.

Every surface is constructed for knife work—layered, tactile, and readable, with reflections suggested in a few confident passes.

The brightest paint sits on the focal object, while the background stays looser and more abstracted to preserve depth.

Directional knife marks subtly point toward the subject, creating movement even in still scenes.

Texture is emphasized through ridged impasto that catches light and gives the surface a sculptural feel.

Hand Painted by Artist
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