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EMBER FERRY IN FOG - Oil Painting On Canvas By Leonid Afremov

ember ferry,in fog,a ferry lamp and,the deck of a river,ember orange,lead gray,black water,brown rope,ember,ferry,lamp,rope,rail,deck,river,entering,palette knife,oil painting,impasto,textured art

La galleria virtuale ufficiale online di Leonid Afremov

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  • Misurare: 24"x20" (60cm x 50cm)
  • Firma: Firmato davanti e dietro
  • Certificazione: Certificato di autenticità firmato fornito
  • Materiali: Spatola, pittura ad olio, tela
Prezzo odierno: 122,32 € Prezzo predefinito: 244,64 €
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Salva 122,32 €
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A UNIQUE ONE-OF-A-KIND ORIGINAL OIL PAINTING ON CANVAS - THE BEST POSSIBLE QUALITY HAND-PAINTED ARTWORK BY LEONID AFREMOV GALLERY ARTIST

This is a real 100% UNIQUE Hand-painted ONE-OF-A-KIND ORIGINAL mixed media painting by Afremov Gallery (not a print, or recreation artwork)

The painting is signed on the front and the back, this artwork comes with a certificate of authenticity, personally signed by the artist

This painting looks tridimensional and has a lot of heavy textures

EMBER FERRY IN FOG has a catalog-like clarity, but it avoids stiffness by giving equal attention to surface and mood. A ferry lamp and rope rail is the focal event, while the deck of a river ferry entering fog provides the quiet framework that makes the scene believable.

Visually, the work is arranged close deck view with the river barely visible ahead. This keeps the design legible even with thick impasto and simplified form. The knife organizes the image into facets, ridges, and soft breaks, so the scene reads through structure rather than intricate contour drawing.

Faint ember light before dawn sets the tonal hierarchy. It also shapes how the colors behave: Ember orange, lead gray, black water, brown rope move from bold statement to muted transition without losing cohesion. Because the paint is applied in assertive layers, the light seems to sit on the surface as well as within the scene.

The final impression is both sturdy and atmospheric. One senses weight, weather, and material substance in nearly every mark. That tactile confidence is what makes the painting feel suited to a gallery setting rather than a merely decorative image bank.

There is no attempt to smooth away the making of the picture. Every ridge, scrape, and compressed patch of paint contributes to the sense that the image was built by hand, one deliberate adjustment at a time.

Hand Painted by Artist
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