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COLUMNS AND LIGHT - Oil Painting On Canvas By Leonid Afremov

neoclassicism, a marble atrium, draped fabric over a plinth, sky reflections in polished surfaces, cream marble with soft blue shadow, foreground subject, colorful background, soft reflections, impasto texture, cobalt shadows, warm highlights, painterly atmosphere, layered depth, knife stroke detail, marble atrium, draped fabric, fabric over, reflections polished, polished surfaces, cream marble

La galleria virtuale ufficiale online di Leonid Afremov

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  • Misurare: 24"x20" (60cm x 50cm)
  • Firma: Firmato davanti e dietro
  • Certificazione: Certificato di autenticità firmato fornito
  • Materiali: Spatola, pittura ad olio, tela
Prezzo odierno: 122,32 € Prezzo predefinito: 244,64 €
50% off
Salva 122,32 €
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90 giorni di reso gratuito

A UNIQUE ONE-OF-A-KIND ORIGINAL OIL PAINTING ON CANVAS - THE BEST POSSIBLE QUALITY HAND-PAINTED ARTWORK BY LEONID AFREMOV GALLERY ARTIST

This is a real 100% UNIQUE Hand-painted ONE-OF-A-KIND ORIGINAL mixed media painting by Afremov Gallery (not a print, or recreation artwork)

The painting is signed on the front and the back, this artwork comes with a certificate of authenticity, personally signed by the artist

This painting looks tridimensional and has a lot of heavy textures

Columns And Light focuses on draped fabric over a plinth first, then lets the eye travel outward across a marble atrium.

Sky reflections in polished surfaces adds a second beat of story without crowding the surface. Light is placed in clear value blocks so the composition stays readable. Small accents sit where the eye naturally pauses, guiding the viewing path. Soft atmospheric haze separates planes and prevents the scene from feeling busy.

Cream marble with soft blue shadow drives the mood, while soft glow and controlled shadows keep it readable. There is a formal but luminous calm to it, even where the texture is bold.

Every surface is constructed for knife work—layered, tactile, and readable, with reflections suggested in a few confident passes.

The composition is staged like a set: foreground clarity, midground context, and a distant layer that fades into color.

The brightest paint sits on the focal object, while the background stays looser and more abstracted to preserve depth.

Soft reflections appear where they make sense—water, glass, polished stone—kept broad and easy to execute.

Hand Painted by Artist
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