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BENEATH THE STAIRWELL - Oil Painting On Canvas By Leonid Afremov

goth, an iron gate courtyard, a silver candelabra, smoke trails, ink blue with warm gold highlights, foreground subject, colorful background, soft reflections, impasto texture, cobalt shadows, warm highlights, painterly atmosphere, layered depth, knife stroke detail, iron gate, gate courtyard, silver candelabra, blue with, with warm, oil painting

La galleria virtuale ufficiale online di Leonid Afremov

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  • Misurare: 30"x24" (75cm x 60cm)
  • Firma: Firmato davanti e dietro
  • Certificazione: Certificato di autenticità firmato fornito
  • Materiali: Spatola, pittura ad olio, tela
Prezzo odierno: 183,92 € Prezzo predefinito: 367,84 €
50% off
Salva 183,92 €
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90 giorni di reso gratuito

A UNIQUE ONE-OF-A-KIND ORIGINAL OIL PAINTING ON CANVAS - THE BEST POSSIBLE QUALITY HAND-PAINTED ARTWORK BY LEONID AFREMOV GALLERY ARTIST

This is a real 100% UNIQUE Hand-painted ONE-OF-A-KIND ORIGINAL mixed media painting by Afremov Gallery (not a print, or recreation artwork)

The painting is signed on the front and the back, this artwork comes with a certificate of authenticity, personally signed by the artist

This painting looks tridimensional and has a lot of heavy textures

Beneath The Stairwell focuses on a silver candelabra first, then lets the eye travel outward across an iron gate courtyard.

Light is placed in clear value blocks so the composition stays readable. Midground shapes stay simplified and graphic, while texture supplies the nuance. Negative space is used on purpose, letting the composition breathe. Light is staged in layers: a bright foreground note, a quieter midground, and a deep receding distance.

Color moves through ink blue with warm gold highlights, building contrast through thick, visible impasto ridges. The mood is mysterious and theatrical, with the story implied through light, placement, and restraint.

Thick palette-knife strokes stay front and center: ridges describe surfaces, and highlights are placed as bold, paintable shapes.

Directional knife marks subtly point toward the subject, creating movement even in still scenes.

Texture is emphasized through ridged impasto that catches light and gives the surface a sculptural feel.

The composition is staged like a set: foreground clarity, midground context, and a distant layer that fades into color.

The brightest paint sits on the focal object, while the background stays looser and more abstracted to preserve depth.

Hand Painted by Artist
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