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AT THE THE LOGGIA - Oil Painting On Canvas By Leonid Afremov

neoclassicism, a museum gallery hall, a bronze sundial, symmetrical perspective lines, cream marble with soft blue shadow, foreground subject, colorful background, soft reflections, impasto texture, cobalt shadows, warm highlights, painterly atmosphere, layered depth, knife stroke detail, museum gallery, gallery hall, bronze sundial, symmetrical perspective, perspective lines, cream marble

La galleria virtuale ufficiale online di Leonid Afremov

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  • Misurare: 20"x16" (50cm x 40cm)
  • Firma: Firmato davanti e dietro
  • Certificazione: Certificato di autenticità firmato fornito
  • Materiali: Spatola, pittura ad olio, tela
Prezzo odierno: 131,12 € Prezzo predefinito: 262,24 €
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Salva 131,12 €
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90 giorni di reso gratuito

A UNIQUE ONE-OF-A-KIND ORIGINAL OIL PAINTING ON CANVAS - THE BEST POSSIBLE QUALITY HAND-PAINTED ARTWORK BY LEONID AFREMOV GALLERY ARTIST

This is a real 100% UNIQUE Hand-painted ONE-OF-A-KIND ORIGINAL mixed media painting by Afremov Gallery (not a print, or recreation artwork)

The painting is signed on the front and the back, this artwork comes with a certificate of authenticity, personally signed by the artist

This painting looks tridimensional and has a lot of heavy textures

At The The Loggia focuses on a bronze sundial first, then lets the eye travel outward across a museum gallery hall.

Reflections and highlights are suggested with broad strokes instead of tiny linework. Edges are carved with decisive knife marks, giving forms a sculpted clarity. The overall geometry remains clean, even when the texture is energetic. Small accents sit where the eye naturally pauses, guiding the viewing path.

Color moves through cream marble with soft blue shadow, building contrast through thick, visible impasto ridges. There is a calm, balanced elegance calm to it, even where the texture is bold.

Every surface is constructed for knife work—layered, tactile, and readable, with reflections suggested in a few confident passes.

The composition is staged like a set: foreground clarity, midground context, and a distant layer that fades into color.

Soft reflections appear where they make sense—water, glass, polished stone—kept broad and easy to execute.

Directional knife marks subtly point toward the subject, creating movement even in still scenes.

Hand Painted by Artist
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