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AT THE MARBLE - Oil Painting On Canvas By Leonid Afremov

neoclassicism, a stone arcade, a marble bust on a pedestal, sky reflections in polished surfaces, cream marble with soft blue shadow, foreground subject, colorful background, soft reflections, impasto texture, cobalt shadows, warm highlights, painterly atmosphere, layered depth, knife stroke detail, stone arcade, marble bust, bust pedestal, reflections polished, polished surfaces, cream marble

La galleria virtuale ufficiale online di Leonid Afremov

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  • Misurare: 34"x28" (86cm x 71cm)
  • Firma: Firmato davanti e dietro
  • Certificazione: Certificato di autenticità firmato fornito
  • Materiali: Spatola, pittura ad olio, tela
Prezzo odierno: 157,52 € Prezzo predefinito: 315,04 €
50% off
Salva 157,52 €
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90 giorni di reso gratuito

A UNIQUE ONE-OF-A-KIND ORIGINAL OIL PAINTING ON CANVAS - THE BEST POSSIBLE QUALITY HAND-PAINTED ARTWORK BY LEONID AFREMOV GALLERY ARTIST

This is a real 100% UNIQUE Hand-painted ONE-OF-A-KIND ORIGINAL mixed media painting by Afremov Gallery (not a print, or recreation artwork)

The painting is signed on the front and the back, this artwork comes with a certificate of authenticity, personally signed by the artist

This painting looks tridimensional and has a lot of heavy textures

At The Marble opens on a stone arcade, with a marble bust on a pedestal held in the foreground like a visual anchor.

Edges are carved with decisive knife marks, giving forms a sculpted clarity. Reflections and highlights are suggested with broad strokes instead of tiny linework. The overall geometry remains clean, even when the texture is energetic. Soft atmospheric haze separates planes and prevents the scene from feeling busy.

The palette leans into cream marble with soft blue shadow, with warm highlights balancing cool cobalt shadow planes. There is a calm, balanced elegance calm to it, even where the texture is bold.

Thick palette-knife strokes stay front and center: ridges describe surfaces, and highlights are placed as bold, paintable shapes.

The composition is staged like a set: foreground clarity, midground context, and a distant layer that fades into color.

Soft reflections appear where they make sense—water, glass, polished stone—kept broad and easy to execute.

The brightest paint sits on the focal object, while the background stays looser and more abstracted to preserve depth.

Hand Painted by Artist
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