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AT TEMPLE ROOF MOON - Oil Painting On Canvas By Leonid Afremov

chinese dragon, an ancient gate tower, a horned profile framed by mist, cobalt shadow waves, sunset orange with teal mist, foreground subject, colorful background, soft reflections, impasto texture, cobalt shadows, warm highlights, painterly atmosphere, layered depth, knife stroke detail, ancient gate, gate tower, horned profile, profile framed, cobalt shadow, shadow waves

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  • Misurare: 30"x24" (75cm x 60cm)
  • Firma: Firmato davanti e dietro
  • Certificazione: Certificato di autenticità firmato fornito
  • Materiali: Spatola, pittura ad olio, tela
Prezzo odierno: 131,12 € Prezzo predefinito: 262,24 €
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Salva 131,12 €
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A UNIQUE ONE-OF-A-KIND ORIGINAL OIL PAINTING ON CANVAS - THE BEST POSSIBLE QUALITY HAND-PAINTED ARTWORK BY LEONID AFREMOV GALLERY ARTIST

This is a real 100% UNIQUE Hand-painted ONE-OF-A-KIND ORIGINAL mixed media painting by Afremov Gallery (not a print, or recreation artwork)

The painting is signed on the front and the back, this artwork comes with a certificate of authenticity, personally signed by the artist

This painting looks tridimensional and has a lot of heavy textures

At Temple Roof Moon begins with a horned profile framed by mist up front, then fades into the wider space of an ancient gate tower.

Edges are carved with decisive knife marks, giving forms a sculpted clarity. Cobalt shadow waves adds a second beat of story without crowding the surface. Light is staged in layers: a bright foreground note, a quieter midground, and a deep receding distance. The background dissolves into larger color fields so the main object stays dominant.

The palette leans into sunset orange with teal mist, with warm highlights balancing cool cobalt shadow planes. The mood is mysterious but celebratory, with the story implied through light, placement, and restraint.

The design favors paintability: clear silhouettes, big value shapes, and texture that implies detail without demanding it.

The composition is staged like a set: foreground clarity, midground context, and a distant layer that fades into color.

Directional knife marks subtly point toward the subject, creating movement even in still scenes.

The brightest paint sits on the focal object, while the background stays looser and more abstracted to preserve depth.

Hand Painted by Artist
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