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ALONG THE LIMESTONE TERRACE - Oil Painting On Canvas By Leonid Afremov

egypt, a limestone terrace overlooking the river, a carved sphinx fragment, distant felucca sails, sand gold and cobalt blue, foreground subject, colorful background, soft reflections, impasto texture, cobalt shadows, warm highlights, painterly atmosphere, layered depth, knife stroke detail, limestone terrace, terrace overlooking, carved sphinx, sphinx fragment, distant felucca, felucca sails

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  • Misurare: 30"x24" (75cm x 60cm)
  • Firma: Firmato davanti e dietro
  • Certificazione: Certificato di autenticità firmato fornito
  • Materiali: Spatola, pittura ad olio, tela
Prezzo odierno: 131,12 € Prezzo predefinito: 262,24 €
50% off
Salva 131,12 €
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90 giorni di reso gratuito

A UNIQUE ONE-OF-A-KIND ORIGINAL OIL PAINTING ON CANVAS - THE BEST POSSIBLE QUALITY HAND-PAINTED ARTWORK BY LEONID AFREMOV GALLERY ARTIST

This is a real 100% UNIQUE Hand-painted ONE-OF-A-KIND ORIGINAL mixed media painting by Afremov Gallery (not a print, or recreation artwork)

The painting is signed on the front and the back, this artwork comes with a certificate of authenticity, personally signed by the artist

This painting looks tridimensional and has a lot of heavy textures

Along The Limestone Terrace opens on a limestone terrace overlooking the river, with a carved sphinx fragment held in the foreground like a visual anchor.

Midground shapes stay simplified and graphic, while texture supplies the nuance. Depth comes from overlapping planes rather than fussy detail. Light is staged in layers: a bright foreground note, a quieter midground, and a deep receding distance. Small accents sit where the eye naturally pauses, guiding the viewing path.

Sand gold and cobalt blue drives the mood, while soft glow and controlled shadows keep it readable. Overall it reads calm, heat-hazed, letting texture and color do most of the narration.

The design favors paintability: clear silhouettes, big value shapes, and texture that implies detail without demanding it.

Texture is emphasized through ridged impasto that catches light and gives the surface a sculptural feel.

The composition is staged like a set: foreground clarity, midground context, and a distant layer that fades into color.

The brightest paint sits on the focal object, while the background stays looser and more abstracted to preserve depth.

Directional knife marks subtly point toward the subject, creating movement even in still scenes.

Hand Painted by Artist
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