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AFTERNOON AND LETTER - Oil Painting On Canvas By Leonid Afremov

mothers day, a breakfast tray by the window, an open photo frame on linen, sunbeam stripes on the table, soft pinks with warm gold, foreground subject, colorful background, soft reflections, impasto texture, cobalt shadows, warm highlights, painterly atmosphere, layered depth, knife stroke detail, breakfast tray, tray window, open photo, photo frame, sunbeam stripes, stripes table

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  • Misurare: 20"x16" (50cm x 40cm)
  • Firma: Firmato davanti e dietro
  • Certificazione: Certificato di autenticità firmato fornito
  • Materiali: Spatola, pittura ad olio, tela
Prezzo odierno: 131,12 € Prezzo predefinito: 262,24 €
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Salva 131,12 €
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A UNIQUE ONE-OF-A-KIND ORIGINAL OIL PAINTING ON CANVAS - THE BEST POSSIBLE QUALITY HAND-PAINTED ARTWORK BY LEONID AFREMOV GALLERY ARTIST

This is a real 100% UNIQUE Hand-painted ONE-OF-A-KIND ORIGINAL mixed media painting by Afremov Gallery (not a print, or recreation artwork)

The painting is signed on the front and the back, this artwork comes with a certificate of authenticity, personally signed by the artist

This painting looks tridimensional and has a lot of heavy textures

Afternoon And Letter draws you straight to an open photo frame on linen, placed close to the picture plane inside a breakfast tray by the window.

Edges are carved with decisive knife marks, giving forms a sculpted clarity. Midground shapes stay simplified and graphic, while texture supplies the nuance. The background dissolves into larger color fields so the main object stays dominant. Negative space is used on purpose, letting the composition breathe.

Across the scene, soft pinks with warm gold is layered in knife strokes that catch light like relief. It feels quietly celebratory, built more from atmosphere than from ornament.

Knife strokes remain visible by design, giving the scene a tactile finish while keeping details broad and achievable.

Directional knife marks subtly point toward the subject, creating movement even in still scenes.

Texture is emphasized through ridged impasto that catches light and gives the surface a sculptural feel.

The composition is staged like a set: foreground clarity, midground context, and a distant layer that fades into color.

Soft reflections appear where they make sense—water, glass, polished stone—kept broad and easy to execute.

The brightest paint sits on the focal object, while the background stays looser and more abstracted to preserve depth.

Hand Painted by Artist
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