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AFTER THE TRAM STOP - Oil Painting On Canvas By Leonid Afremov

german, a lakeside terrace, a fountain rim catching light, sunlit geraniums, warm amber and slate blue, foreground subject, colorful background, soft reflections, impasto texture, cobalt shadows, warm highlights, painterly atmosphere, layered depth, knife stroke detail, lakeside terrace, fountain catching, catching light, warm amber, amber slate, oil painting

La galleria virtuale ufficiale online di Leonid Afremov

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  • Misurare: 24"x20" (60cm x 50cm)
  • Firma: Firmato davanti e dietro
  • Certificazione: Certificato di autenticità firmato fornito
  • Materiali: Spatola, pittura ad olio, tela
Prezzo odierno: 122,32 € Prezzo predefinito: 244,64 €
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Salva 122,32 €
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A UNIQUE ONE-OF-A-KIND ORIGINAL OIL PAINTING ON CANVAS - THE BEST POSSIBLE QUALITY HAND-PAINTED ARTWORK BY LEONID AFREMOV GALLERY ARTIST

This is a real 100% UNIQUE Hand-painted ONE-OF-A-KIND ORIGINAL mixed media painting by Afremov Gallery (not a print, or recreation artwork)

The painting is signed on the front and the back, this artwork comes with a certificate of authenticity, personally signed by the artist

This painting looks tridimensional and has a lot of heavy textures

After The Tram Stop frames a fountain rim catching light against a lakeside terrace, so the scene reads instantly even from a distance.

Light is placed in clear value blocks so the composition stays readable. Reflections and highlights are suggested with broad strokes instead of tiny linework. Light is staged in layers: a bright foreground note, a quieter midground, and a deep receding distance. Negative space is used on purpose, letting the composition breathe.

The palette leans into warm amber and slate blue, with warm highlights balancing cool cobalt shadow planes. The mood is warm against cool shadows, with the story implied through light, placement, and restraint.

Knife strokes remain visible by design, giving the scene a tactile finish while keeping details broad and achievable.

Directional knife marks subtly point toward the subject, creating movement even in still scenes.

Texture is emphasized through ridged impasto that catches light and gives the surface a sculptural feel.

The brightest paint sits on the focal object, while the background stays looser and more abstracted to preserve depth.

Hand Painted by Artist
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